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Autobiography and the Construction of Identity and Community in the Middle East Palgrave Macmillan? Mary Ann Fay? PalgraveMacmillan? MaryAnnFay? ジャンル別? Substores-UnknownASINs-8 Subjects-Biographies&Memoirs-General? Subjects-History-Asia-General? Musical Women in England, 1870-1914 Palgrave Macmillan? Paula Gillett? PalgraveMacmillan? PaulaGillett? ジャンル別? Substores-UnknownASINs-8 Subjects-Entertainment-Music-General? Subjects-Entertainment-Music-History&Criticism? Subjects-History-HistoricalStudy-SocialHistory? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Reconsidering Drugs Palgrave Macmillan? Lawrence Driscoll? PalgraveMacmillan? LawrenceDriscoll? ジャンル別? Substores-UnknownASINs-8 Subjects-Health,Mind&Body-Recovery-DrugDependency? Subjects-Literature&Fiction-History&Criticism-UnitedStates-LiteraryTheory? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-SocialSciences-Linguistics-Applied? Subjects-Reference-Words&Language-Linguistics? Romanticism and the Vocation of Childhood Palgrave Macmillan? Judith Plotz? PalgraveMacmillan? JudithPlotz? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-History&Criticism-Movements&Periods? Subjects-Literature&Fiction-WorldLiterature-British-General? The Postcolonial Middle Ages (The New Middle Ages) Palgrave Macmillan? Jeffrey Jerome Cohen? PalgraveMacmillan? JeffreyJeromeCohen? ジャンル別? Substores-UnknownASINs-8 Subjects-History-World-Medieval? Subjects-Literature&Fiction-History&Criticism-Movements&Periods? Subjects-Nonfiction-SocialSciences-PoliticalScience-Imperialism&Independence? The Culture of Western Europe Since 1848 Palgrave Macmillan? James Winders? PalgraveMacmillan? JamesWinders? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-SocialSciences-Sociology-Culture? Black Temple (Pacesetters) Macmillan Education Ltd? M.T. Garba? MacmillanEducationLtd? M.T.Garba? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Literature? History Macmillan Education Ltd? L.P. Kamau? MacmillanEducationLtd? L.P.Kamau? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-People&Places-ExploretheWorld-General? Travel Knowledge Palgrave Macmillan? Jyotsna G. Singh? Ivo Kamps? PalgraveMacmillan? JyotsnaG.Singh? IvoKamps? ジャンル別? Substores-UnknownASINs-8 Subjects-Literature&Fiction-General-Classics? Subjects-Travel-Reference&Tips-Essays&Travelogues? Teachng Physl/Hlth Educ Nigeria Macmillan Education Ltd? Ajisafe? MacmillanEducationLtd? Ajisafe? ジャンル別? Substores-UnknownASINs-8 Lip E Picture Strs;Magic Bowl Macmillan Education Ltd? MacmillanEducationLtd? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Reference&Nonfiction-LanguageArts-General? American Shine 1 Cass (X2) Macmillan ELT? Prowse P et al? MacmillanELT? ProwsePetal? ジャンル別? Substores-UnknownASINs-8 Agony in Her Voice (Pr) (Pacesetters) Macmillan Education Ltd? P. Katuliba? MacmillanEducationLtd? P.Katuliba? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Educational? American Shine 2 Cass (X2) Macmillan ELT? Prowse P et al? MacmillanELT? ProwsePetal? ジャンル別? Substores-UnknownASINs-8 Food and Nutrition Macmillan Education Ltd? MacmillanEducationLtd? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Health-Diet&Nutrition? Subjects-Children sBooks-Science,Nature&HowItWorks-Health-General? American Shine 3 Cass (X2) Macmillan ELT? Prowse P et al? MacmillanELT? ProwsePetal? ジャンル別? Substores-UnknownASINs-8 Enjoy Grammar 1 Teachers Notes Macmillan ELT? Forsyth W et al? MacmillanELT? ForsythWetal? ジャンル別? Substores-UnknownASINs-8 Enjoy Extension Teachers Notes Macmillan ELT? Spencer D et al? MacmillanELT? SpencerDetal? ジャンル別? Substores-UnknownASINs-8 Enjoy Drama Teachers Notes Macmillan ELT? Case D et al? MacmillanELT? CaseDetal? ジャンル別? Substores-UnknownASINs-8 Enjoy Revision Teachers Notes Macmillan ELT? MacmillanELT? ジャンル別? Substores-UnknownASINs-8 Enjoy Grammar 2 Macmillan ELT? Forsyth W et al? MacmillanELT? ForsythWetal? ジャンル別? Substores-UnknownASINs-8 Enjoy Grammar 2 Teachers Notes Macmillan ELT? Forsyth W et al? MacmillanELT? ForsythWetal? ジャンル別? Substores-UnknownASINs-8 Here Comes Minibus Macmillan ELT? E. Papiol? et al? MacmillanELT? E.Papiol? etal? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? Check Up Tests (Check Up Tests) Nelson Thornes Ltd? Redvers Brandling? NelsonThornesLtd? RedversBrandling? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Reference&Nonfiction-School&Education? Here Comes the Minibus Macmillan ELT? E. Papiol? et al? MacmillanELT? E.Papiol? etal? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? Superworld Macmillan ELT? C. Read? MacmillanELT? C.Read? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? Superworld Macmillan ELT? C. Read? et al? MacmillanELT? C.Read? etal? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? Formats-Audiocassettes-General? Superworld 2 Macmillan ELT? C. Read? MacmillanELT? C.Read? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-BooksonCassette? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-BooksonCassette? Formats-Audiocassettes-Languages-EnglishasaForeignLanguage? Formats-Audiocassettes-General? Superworld Macmillan ELT? C. Read? MacmillanELT? C.Read? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? Superworld Macmillan ELT? C. Read? MacmillanELT? C.Read? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? A Guide to Questioning Macmillan Education Ltd? Craig Kissock? Peter Lyortsuun? Peter T. Iyortsuun? MacmillanEducationLtd? CraigKissock? PeterLyortsuun? PeterT.Iyortsuun? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-EducationTheory-SchoolManagement? Subjects-Professional&Technical-Education-Administration-SchoolManagement? Superworld 3 Macmillan ELT? C. Read? et al? MacmillanELT? C.Read? etal? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-BooksonCassette? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-BooksonCassette? Formats-Audiocassettes-Languages-EnglishasaForeignLanguage? Formats-Audiocassettes-General? Beginning Science Macmillan Education Ltd? A. Berluti? MacmillanEducationLtd? A.Berluti? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-General? Superworld Macmillan ELT? C. Read? MacmillanELT? C.Read? ジャンル別? Substores-UnknownASINs-8 Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-Coursebooks? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-Coursebooks? Sase Sec 2 Grd Pb Macmillan Education Ltd? Field J? MacmillanEducationLtd? FieldJ? ジャンル別? Substores-UnknownASINs-8 Sase Sec 2 Grd Reader 1 Macmillan Education Ltd? Field J? MacmillanEducationLtd? FieldJ? ジャンル別? Substores-UnknownASINs-8 Shine 2 Sb Poland Macmillan ELT? Prowse et al? MacmillanELT? Prowseetal? ジャンル別? Substores-UnknownASINs-8 Shine 2 TB Poland Macmillan ELT? Prowse et al? MacmillanELT? Prowseetal? ジャンル別? Substores-UnknownASINs-8 Shine 2 Cass Poland Macmillan ELT? Prowse et al? MacmillanELT? Prowseetal? ジャンル別? Substores-UnknownASINs-8 Shine 3 Sb Poland Macmillan ELT? Prowse et al? MacmillanELT? Prowseetal? ジャンル別? Substores-UnknownASINs-8 Shine 3 Wb Poland Macmillan ELT? Prowse et al? MacmillanELT? Prowseetal? ジャンル別? Substores-UnknownASINs-8 Shine 3 TB Poland Macmillan ELT? Prowse et al? MacmillanELT? Prowseetal? ジャンル別? Substores-UnknownASINs-8 Shine 3 Cass Poland Macmillan ELT? Prowse et al? MacmillanELT? Prowseetal? ジャンル別? Substores-UnknownASINs-8 Uganda Primary Mathematics (Uganda Primary Mathematics) Macmillan Education Ltd? L.O. Okello? MacmillanEducationLtd? L.O.Okello? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Math? Uganda Primary Mathematics (Macmillan Primary Mathematics for Uganda) Macmillan Education Ltd? L.O. Okello? MacmillanEducationLtd? L.O.Okello? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Science,Nature&HowItWorks-Math? Language Tree 1 Pb Hardback Macmillan ELT? Vale D? MacmillanELT? ValeD? ジャンル別? Substores-UnknownASINs-8 Language Tree 2 Pb Hardback Macmillan ELT? Vale D? MacmillanELT? ValeD? ジャンル別? Substores-UnknownASINs-8 The Language Tree (The Language Tree) Macmillan ELT? David Vale? Ana Gorriti De Vale? MacmillanELT? DavidVale? AnaGorritiDeVale? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Reference&Nonfiction-LanguageArts-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-EnglishLanguageTeaching-General? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-EnglishLanguageTeaching-General? The Language Tree (The Language Tree) Macmillan ELT? David Vale? Ana Gorriti De Vale? MacmillanELT? DavidVale? AnaGorritiDeVale? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Reference&Nonfiction-LanguageArts-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-EnglishLanguageTeaching-General? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-EnglishLanguageTeaching-General? The Language Tree Macmillan ELT? David Vale? Ana Gorriti De Vale? MacmillanELT? DavidVale? AnaGorritiDeVale? ジャンル別? Substores-UnknownASINs-8 Subjects-Children sBooks-Reference&Nonfiction-LanguageArts-General? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-EnglishasaForeignLanguage-EnglishLanguageTeaching-General? Subjects-Reference-ForeignLanguages-Instruction-EnglishasaForeignLanguage-EnglishLanguageTeaching-General? Substores-UnknownASINs-8 洋書
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This New Ocean The Story of the First Space Age Random House Inc (T)? William E. Burrows? RandomHouseInc(T)? WilliamE.Burrows? ジャンル別? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-History-World-20thCentury? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Cosmology? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Physics-Cosmology? Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Astronomy? Subjects-Science-Astronomy-Cosmology? Pickups Classic American Trucks Random House Inc (T)? William Bennett Seitz? Harry Moses? RandomHouseInc(T)? WilliamBennettSeitz? HarryMoses? ジャンル別? Subjects-Arts&Photography-Photography-General? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-Transportation? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Navigation David Mckay Co? United States. Naval Training Command.? DavidMckayCo? UnitedStates.NavalTrainingCommand.? ジャンル別? Substores-UnknownASINs-15? Subjects-Engineering-General? Subjects-History-Military-Naval? Subjects-Outdoors&Nature-OutdoorRecreation-Sailing-Navigation? Subjects-Professional&Technical-Engineering-General Subjects-Sports-WaterSports-Sailing-Navigation? Air Traffic Control How to Become an FAA Air Traffic Controller Random House Inc (P)? Walter S. Luffsey? RandomHouseInc(P)? WalterS.Luffsey? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Reference-General? Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Nonfiction-Transportation-Aviation-Airport? To Engineer Is Human The Role of Failure in Successful Design Vintage Books? Henry Petroski? VintageBooks? HenryPetroski? ジャンル別? Subjects-Arts&Photography-Architecture-General? Subjects-Business&Investing-General? Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-General? Subjects-Science-General Dr. Frank Field's Get Out Alive Save Your Family's Life With Fire Survival Techniques Random House Inc (P)? Frank Field? John Morse? RandomHouseInc(P)? FrankField? JohnMorse? ジャンル別? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Parenting&Families-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-CivilService-Firefighting&Prevention? In the Drivers Seat The New Car Buyers Negotiating Bible Random House Inc (P)? W. James Bragg? RandomHouseInc(P)? W.JamesBragg? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Student Advantage Guide to the Best Graduate Programs Engineering 1997 (Annual) Princeton Review? Sharyn Kolberg? PrincetonReview? SharynKolberg? ジャンル別? Subjects-Engineering-Education? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Nonfiction-Education-College&University-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Education? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-GraduateSchoolGuides-General? Subjects-Reference-Catalogs&Directories-Directories? Subjects-Reference-General? Car Buyer's and Leaser's Negotiating Bible Random House Inc (P)? W. James Bragg? RandomHouseInc(P)? W.JamesBragg? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Train (Eyewitness Books) Alfred a Knopf? John Coiley? Mike Dunning? AlfredaKnopf? JohnCoiley? MikeDunning? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Trains-Nonfiction? Subjects-Children sBooks-Series-Nonfiction-EyewitnessBooks? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General My First Look at Things That Go (My First Look at) Random House Childrens Books? Andrea? RandomHouseChildrensBooks? Andrea? ジャンル別? Substores-UnknownASINs-15? Subjects-Children sBooks-Baby-3-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Engineering? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Heavy-Duty Trucks (Step Into Reading) Random House Childrens Books? Joyce Milton? Richard Courtney? RandomHouseChildrensBooks? JoyceMilton? RichardCourtney? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Cars&Trucks-Fiction? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Cars&Trucks-Nonfiction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Astronauts Today (Picturebook) Random House Childrens Books? Rosanna Hansen? RandomHouseChildrensBooks? RosannaHansen? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Ages4-8-EarlyReaderSeries? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Busy Trucks A Pop-Up Book (Pictureback Pop) Random House Childrens Books? Jim Deesing? Richard Stergulz? Dennis K. Meyer? RandomHouseChildrensBooks? JimDeesing? RichardStergulz? DennisK.Meyer? ジャンル別? Subjects-Children sBooks-Baby-3-General? Subjects-Children sBooks-Baby-3-Pop-Up&Movable-General? Subjects-Children sBooks-Ages4-8-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Space Exploration (Eyewitness Books (Trade), Vol 72) Alfred a Knopf? Carole Stott? Steve Gorton? AlfredaKnopf? CaroleStott? SteveGorton? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Astronomy&Space-Aeronautics&Space? Subjects-Children sBooks-Series-Nonfiction-EyewitnessBooks? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Amelia Earhart; The Myth and the Reality ... Exposition Pr of Florida? Dick Strippel? ExpositionProfFlorida? DickStrippel? ジャンル別? Substores-UnknownASINs-15? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Appraiser's Handbook Exposition Pr of Florida? E. B. Fallon? ExpositionProfFlorida? E.B.Fallon? ジャンル別? Substores-UnknownASINs-15? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General The Old Rhinebeck Aerodrome (An Exposition-Banner Book) Exposition Pr of Florida? E. Gordon. Bainbridge? ExpositionProfFlorida? E.Gordon.Bainbridge? ジャンル別? Subjects-Engineering-General? Subjects-History-Americas-UnitedStates-State&Local-NewYork? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Professional&Technical-Engineering-General Helicopters of the World Macmillan Pub Co? Michael John Haddrick Taylor? John W. Taylor? MacmillanPubCo? MichaelJohnHaddrickTaylor? JohnW.Taylor? ジャンル別? Substores-UnknownASINs-15? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Civil Aircraft of the World Encore Editions? Gordon Swanborough? Frederick Gordon Swanborough? EncoreEditions? GordonSwanborough? FrederickGordonSwanborough? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-General Windmills, Bridges, and Old Machines Discovering Our Industrial Past Atheneum? David Weitzman? Atheneum? DavidWeitzman? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Engineering? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? The World of Model Airplanes Macmillan Pub Co? William John Winter? MacmillanPubCo? WilliamJohnWinter? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Professional&Technical-Engineering-General The Armchair Aviator Scribner? John Thorn? Scribner? JohnThorn? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Aerospace-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Aerospace-General? Subjects-Sports-Miscellaneous-AirSports&Recreation? Subjects-Sports-General? Build Your Own Telescope Scribner? Richard Berry? Scribner? RichardBerry? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Science-Experiments,Instruments&Measurement-Telescopes? Subjects-Science-General Subjects-Science-Astronomy-Astronomy? Subjects-Home&Garden-General? The World of Model Airplanes Macmillan Pub Co? William John Winter? MacmillanPubCo? WilliamJohnWinter? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Professional&Technical-Engineering-General On Extended Wings An Adventure in Flight Scribner? Diane Ackerman? Scribner? DianeAckerman? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-Piloting&FlightInstruction? Subjects-Professional&Technical-Engineering-General 21St-Century Jet The Making and Marketing of the Boeing 777 Scribner? Karl Sabbagh? Scribner? KarlSabbagh? ジャンル別? Subjects-Business&Investing-Biographies&Primers-CompanyHistories? Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Engineering-Aerospace-AircraftDesign&Construction? Subjects-Nonfiction-Transportation-Aviation-Commercial? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Aerospace-AircraftDesign&Construction? Subjects-Science-History&Philosophy-HistoryofTechnology? Under a Wing A Memoir Simon & Schuster? Reeve Lindbergh? Simon&Schuster? ReeveLindbergh? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-General? Subjects-Biographies&Memoirs-Historical-UnitedStates-General? Subjects-Biographies&Memoirs-People,A-Z-(L)-Lindbergh,Charles? Subjects-Engineering-General? Subjects-History-Americas-UnitedStates-20thCentury? Subjects-Literature&Fiction-WorldLiterature-UnitedStates? Subjects-Professional&Technical-Engineering-General All Corvettes Are Red The Rebirth of an American Classic Legend Simon & Schuster? James L. Schefter? Simon&Schuster? JamesL.Schefter? ジャンル別? Subjects-Business&Investing-Biographies&Primers-CompanyHistories? Subjects-Business&Investing-General? Subjects-Engineering-Automotive-VehicleDesign&Construction? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Industry? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Automotive-VehicleDesign&Construction? Subjects-Professional&Technical-Engineering-General Coltrane's Planes and Automobiles Engines That Turned the World Simon & Schuster Intl? Robbie Coltrane? Simon&SchusterIntl? RobbieColtrane? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Nonfiction-Transportation-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? The Technology Machine How Manufacturing Will Work in the Year 2020 Free Pr? Patricia E. Moody? Richard E. Morley? FreePr? PatriciaE.Moody? RichardE.Morley? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Business&Investing-Management&Leadership-Systems&Planning? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Systems&Planning? Subjects-Science-Technology-General&Reference Journey Beyond Selene Remarkable Expeditions Past Our Moon and to the Ends of the Solar System Simon & Schuster? Jeffrey Kluger? Simon&Schuster? JeffreyKluger? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astrophysics&SpaceScience? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Physics-Astrophysics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-SolarSystem? Thinking Beyond Lean How Multi-Project Management Is Transforming Product Development at Toyota and Other Companies Free Pr? Michael A. Cusumano? Kentaro Nobeoka? FreePr? MichaelA.Cusumano? KentaroNobeoka? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-Careers-Entrepreneurship? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Business&Investing-Management&Leadership-TotalQualityManagement? Subjects-Computers&Internet-Business&Culture-ProjectManagement? Subjects-Engineering-Automotive? Subjects-Engineering-Civil-Construction-Management? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-Industry? Subjects-Professional&Technical-Engineering-Civil-Construction-Management? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-TotalQualityManagement? Subjects-Reference-Careers-Entrepreneurship? The Spirit of St. Louis (Scribner Classics) Scribner? Charles A. Lindbergh? Scribner? CharlesA.Lindbergh? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Historical-General? Subjects-Biographies&Memoirs-Historical-UnitedStates-General? Subjects-Biographies&Memoirs-People,A-Z-(L)-Lindbergh,Charles? Subjects-Engineering-General? Subjects-Engineering-Aerospace-General? Subjects-History-World-Transportation-Aviation? Subjects-Literature&Fiction-General-Classics? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Aerospace-General? Food Equipment Repair and Maintenance Ferm? Roland E. Graves? Ferm? RolandE.Graves? ジャンル別? Substores-UnknownASINs-15? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Higher, Faster, Farther William Morrow? Mark P. Friedlander? Gene Gurney? WilliamMorrow? MarkP.Friedlander? GeneGurney? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Keeping It on the Road William Morrow & Co? Wynn Moore? WilliamMorrow&Co? WynnMoore? ジャンル別? Substores-UnknownASINs-15? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General The Road to the Stars William Morrow & Co? Iain Nicolson? WilliamMorrow&Co? IainNicolson? ジャンル別? Substores-UnknownASINs-15? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Train Whistles William Morrow & Co? Helen Roney Sattler? WilliamMorrow&Co? HelenRoneySattler? ジャンル別? Substores-UnknownASINs-15? Subjects-Children sBooks-Baby-3-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General America on Wheels Tales and Trivia of the Automobile William Morrow & Co? Mark Smith? Naomi Black? WilliamMorrow&Co? MarkSmith? NaomiBlack? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-General Countdown An Autobiography Silver Arrow? Frank Borman? Robert J. Serling? SilverArrow? FrankBorman? RobertJ.Serling? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Professionals&Academics-Astronauts? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Chapman's Nautical Guides Communications Afloat (Chapman's Nautical Guides) Hearst Marine Books? Elbert S. Maloney? HearstMarineBooks? ElbertS.Maloney? ジャンル別? Substores-UnknownASINs-15? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Ships-Repair&Maintenance? Subjects-Outdoors&Nature-OutdoorRecreation-Sailing-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Sports-WaterSports-Sailing-General? Subjects-Sports-General? Wide-Body The Triumph of the 747 William Morrow & Co? Clive Irving? WilliamMorrow&Co? CliveIrving? ジャンル別? Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Professional&Technical-Engineering-General Red Bus Tambourine? Hannah Giffard? Tambourine? HannahGiffard? ジャンル別? Subjects-Children sBooks-Baby-3-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Engineering? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Popular Mechanics Saturday Mechanic Hearst Books? Popular Mechanics Press? Cliff Gromer? HearstBooks? PopularMechanicsPress? CliffGromer? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Nonfiction-Automotive-Repair-General? Subjects-Professional&Technical-Engineering-General Amelia Earhart's Daughters The Wild and Glorious Story of American Women Aviators from World War II to the Dawn of the Space Age William Morrow & Co? Leslie Haynsworth? David M. Toomey? Lelie Haynsworth? WilliamMorrow&Co? LeslieHaynsworth? DavidM.Toomey? LelieHaynsworth? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Professionals&Academics-Astronauts? Subjects-Biographies&Memoirs-SpecificGroups-Women? Subjects-Biographies&Memoirs-People,A-Z-(E)-Earhart,Amelia? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-History-Americas-UnitedStates-20thCentury-1945-Present? Subjects-History-Americas-UnitedStates-20thCentury-WorldWarII-Women? Subjects-History-Americas-UnitedStates-20thCentury-WorldWarII-HomeFront? Subjects-History-Military-Aviation? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Nonfiction-SocialSciences-GenderStudies-WomeninHistory? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Travel-SpecialtyTravel-AirTravel? Antique Car Models Their Stories and How to Make Them Book Sales? Frank Xavier Ross? BookSales? FrankXavierRoss? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General Strange Encounters Mysteries of the Air Atheneum? David Beaty? Atheneum? DavidBeaty? ジャンル別? Substores-UnknownASINs-15? Subjects-Engineering-General? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-Piloting&FlightInstruction? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Professional&Technical-Engineering-General Chariots for Apollo The Making of the Lunar Module Scribner? Charles R. Pellegrino? Joshua Stoff? Scribner? CharlesR.Pellegrino? JoshuaStoff? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Astronomy-Aeronautics&Astronautics? Subjects-Science-Astronomy-Astronomy? Subjects-ScienceFiction&Fantasy-ScienceFiction-General? Big Rigs (How It Works) Simon & Schuster (Juv)? John Malam? Mike Stuart Foster? Simon&Schuster(Juv)? JohnMalam? MikeStuartFoster? ジャンル別? Subjects-Children sBooks-Ages4-8-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Fiction? Subjects-Children sBooks-Science,Nature&HowItWorks-HeavyMachinery? Subjects-Children sBooks-Science,Nature&HowItWorks-HowThingsWork? Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-General? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-General 洋書
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Farm Tractor Advertising in America 1900-1960 (Motorbooks International Farm Tractor Color History) Motorbooks Intl? David Fetherston? MotorbooksIntl? DavidFetherston? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Tractors&HeavyEquipment? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Harley-Davidson Shovelhead (Motorcycle Color History) Motorbooks Intl? Tom Murphy? MotorbooksIntl? TomMurphy? ジャンル別? Substores-UnknownASINs-19? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Toy Tractors (Enthusiast Color Series) Motorbooks Intl? Rob Leicester Wagner? Vincent Manocchi? MotorbooksIntl? RobLeicesterWagner? VincentManocchi? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Crafts&Hobbies-Models? Subjects-Home&Garden-Crafts&Hobbies-Toymaking? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Sports-General? Orphan Tractors Motorbooks Intl? Bill Vossler? MotorbooksIntl? BillVossler? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Tractors&HeavyEquipment? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Illustrated Jaguar Buyer's Guide (Illustrated Buyer's Guide) Motorbooks Intl? Michael L. Cook? MotorbooksIntl? MichaelL.Cook? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Nonfiction-Automotive-Luxury? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Dodge Pickup Color History (Color History Series) Motorbooks Intl? Don Bunn? Mike Mueller? MotorbooksIntl? DonBunn? MikeMueller? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Pictorial? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Bmw M-Series and Performance Specials (Sports Car Color History) Motorbooks Intl? Jonathan Cohen? MotorbooksIntl? JonathanCohen? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Luxury? Subjects-Nonfiction-Automotive-Pictorial? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Illustrated Antique American Motorcycle Buyer's Guide (Illustrated Buyer's Guide) Motorbooks Intl? Jerry Hatfield? MotorbooksIntl? JerryHatfield? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Chevrolet Small-Block V8 Id Guide Covers All Chevy Small-Block Engines Since 1955 (Powerpro) Motorbooks Intl? Pierre Lafontaine? MotorbooksIntl? PierreLafontaine? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Customize? Subjects-Nonfiction-Automotive-Repair? Subjects-Nonfiction-Automotive-Mechanics-Engine? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Vintage Police Cars (Enthusiast Color Series) Motorbooks Intl? Edwin J. Sanow? MotorbooksIntl? EdwinJ.Sanow? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Triumph Motorcycle Restoration Guide Bonneville Tr6 1956-1983 (Motorbooks International Authentic Restoration Guides) Motorbooks Intl? David Gaylin? MotorbooksIntl? DavidGaylin? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Nonfiction-Automotive-Motorcycles-Repair&Performance? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-General Jeep Warhorse, Workhouse Boulevard Cruiser Motorbooks Intl? David Fetherston? MotorbooksIntl? DavidFetherston? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-SportUtilityVehicles? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Workhorse Props Prop Aircraft Around the World Motorbooks Intl? Gerry Manning? MotorbooksIntl? GerryManning? ジャンル別? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Wind in the Wires A Golden Era of Flight 1909-1939 Motorbooks Intl? Mike Vines? MotorbooksIntl? MikeVines? ジャンル別? Substores-UnknownASINs-62? Subjects-Engineering-General? Subjects-History-Americas-UnitedStates-State&Local-NewYork? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Professional&Technical-Engineering-General Sixty Glorious Years A Tribute to the Douglas Dc-3 Dakota Motorbooks Intl? Arthur Pearcy? MotorbooksIntl? ArthurPearcy? ジャンル別? Subjects-Engineering-General? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Nonfiction-Transportation-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Ferrari Gt Cars Motorbooks Intl? Gaetano Derosa? MotorbooksIntl? GaetanoDerosa? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Luxury? Subjects-Professional&Technical-Engineering-General Substores-UnknownASINs-jp-unknown1? Motor City Muscle Motorbooks Intl? Mike Mueller? MotorbooksIntl? MikeMueller? ジャンル別? Subjects-Business&Investing-General? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Dodge, Plymouth Chrysler Police Cars 1979-1994 Motorbooks Intl? Edwin J. Sanow? John L. Bellah? Galen Govier? MotorbooksIntl? EdwinJ.Sanow? JohnL.Bellah? GalenGovier? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Modern Diesel Locomotives (Enthusiast Color Series) Motorbooks Intl? Hans Halberstadt? MotorbooksIntl? HansHalberstadt? ジャンル別? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Engines-Gasoline&Diesel? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Railroads-General? Subjects-Nonfiction-Transportation-Ships-General? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Engines-Gasoline&Diesel? Subjects-Professional&Technical-Engineering-General How to Build Modify Chevrolet Big Block V-8 Engines (Motorbooks Powertech Series) Motorbooks Intl? Tom Currao? MotorbooksIntl? TomCurrao? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Customize? Subjects-Nonfiction-Automotive-Parts? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Nonfiction-Automotive-Mechanics-Engine? Subjects-Nonfiction-Automotive-Repair-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Challenger Barracuda Restoration Guide, 1967-1974 (Authentic Restoration Guides) Motorbooks Intl? Paul A. Herd? MotorbooksIntl? PaulA.Herd? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Customize? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Nonfiction-Automotive-Repair-General? Subjects-Professional&Technical-Engineering-General The Harley-Davidson and Indian Wars Motorbooks Intl? Allan Girdler? MotorbooksIntl? AllanGirdler? ジャンル別? Substores-UnknownASINs-62? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Nonfiction-Automotive-Motorcycles-History? Subjects-Nonfiction-Automotive-Motorcycles-Repair&Performance? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Sports-General? Chevrolet in the Sixties (American Classics (Motorbooks Intl)) Motorbooks Intl? Robert Genat? MotorbooksIntl? RobertGenat? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Gas Oil Trucks (Crestline Series) Motorbooks Intl? Donald F. Wood? MotorbooksIntl? DonaldF.Wood? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Trucks&Vans? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Ultimate Auto Workshop Design Planning (Powerpro) Motorbooks Intl? David H. Jacobs? MotorbooksIntl? DavidH.Jacobs? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-HomeDesign-Design&Construction? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Repair-General? Subjects-Professional&Technical-Engineering-General Airliners in Flight A Gallery of Air-To-Air Photography Motorbooks Intl? Nicholas A. Veronico? George Hall? MotorbooksIntl? NicholasA.Veronico? GeorgeHall? ジャンル別? Subjects-Arts&Photography-Photography-Collections,Catalogues&Exhibitions? Subjects-Engineering-General? 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Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Illustrated Porsche Buyer's Guide (Illustrated Buyer's Guide) Motorbooks Intl? Dean Batchelor? Randy Leffingwell? MotorbooksIntl? DeanBatchelor? RandyLeffingwell? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Nonfiction-Automotive-Luxury? Subjects-Professional&Technical-Engineering-General Subjects-Reference-ConsumerGuides? Subjects-Science-History&Philosophy-HistoryofTechnology? John Deere Tractor Data Book Motorbooks Intl? Lorry Dunning? MotorbooksIntl? LorryDunning? ジャンル別? Subjects-Engineering-SpecialTopics-AgriculturalEngineering? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Repair? Subjects-Nonfiction-Automotive-Tractors&HeavyEquipment? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-SpecialTopics-AgriculturalEngineering? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Sportbike Performance Handbook Motorbooks Intl? Kevin Cameron? MotorbooksIntl? KevinCameron? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Nonfiction-Automotive-Motorcycles-Repair&Performance? Subjects-Professional&Technical-Engineering-General Ford Tractor Data Book Fordson to the Hundred Series Motorbooks Intl? Jeff Creighton? MotorbooksIntl? JeffCreighton? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Tractors&HeavyEquipment? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Reference-General? Subjects-Science-AgriculturalSciences-General? Illustrated Ferrari Buyer's Guide (Motorbooks International Illustrated Buyer's Guide) Motorbooks Intl? Dean Batchelor? Randy Leffingwell? MotorbooksIntl? DeanBatchelor? RandyLeffingwell? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Nonfiction-Automotive-Luxury? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-ConsumerGuides? Subjects-Reference-General? Motocross and Off-Road Motorcycle Performance Handbook (Cyclepro) Motorbooks Intl? Eric Gorr? MotorbooksIntl? EricGorr? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-Motorcycles-General? Subjects-Nonfiction-Automotive-Motorcycles-Repair&Performance? Subjects-Nonfiction-Automotive-Racing? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Sports-Miscellaneous-MotorSports? Subjects-Sports-Miscellaneous-MotorcycleRacing? Illustrated Corvette Buyer's Guide (Motorbooks International Illustrated Buyer's Guide Series) Motorbooks Intl? Michael Antonick? MotorbooksIntl? MichaelAntonick? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Buyers Guides? Subjects-Nonfiction-Automotive-Buying&Leasing? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Ferrari (Enthusiast Color Series) Motorbooks Intl? Dennis Adler? MotorbooksIntl? DennisAdler? ジャンル別? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Foreign? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-History? Subjects-Nonfiction-Automotive-Luxury? Subjects-Nonfiction-Automotive-Pictorial? Subjects-Professional&Technical-Engineering-Automotive? 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【Tags Iroha Man_boo tI tM S】 Original Music title さかさまに English music title In Reverse / Goes Upside-down Romaji music title Sakasama Ni Music Lyrics written, Voice edited by Man_boo Music arranged by Man_boo Singer(s) 猫村いろは (Nekomura Iroha) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： In reverse, in reverse, I head backwards through my life From the graveyard to the cradle, I tumble downward... A happy couple returns to being lovers; The old lady I loved invites me with a smile The glittering apartment in which my friends live, After de-construction, becomes a farm The calendar days go back one by one, The trees in the park get smaller and smaller My favorite bicycle, which someone had stolen, Comes back to me once more The little girl soon becomes a baby, Being carried by her mother In order to forget things one by one, The children go to school... Walking calmly and slowly, People vanish into the distance And in my heart, the one I loved Soon becomes one I never knew... Rising smoothly and silkily, The red hourglass sand goes skyward And soon my memories melt like ice, The water evaporating into air... The setting sun rises from the west, And toward it, I bike down the hill Then you come running past me, Dashing onward toward the ocean... Every time the hydrangeas blossom, I feel younger again Gently the rain returns to the sky, Carrying the future, carrying the future... Soon enough, I'm a child again as well, Switching from a bicycle to a tricycle And then, of course, Into my mother, I run crying back... With a calm, gentle swaying, I row a boat, alone in a lake And though no one should be there, The beating of a heart resounds... With a glitter and a sparkle, A bicycle gleams deep in the water And an old lullaby I once heard Calls out for me... In reverse, in reverse; When I looked back after coming so far, I saw everyone watching from afar, Smiling, and cheering, and waving their hands Among the hustle and bustle, It's now time for my march to begin Entrusting myself to the water's flow, I sleep, and dream of the future... Romaji lyrics (transliterated by vgboy / vgperson)： Sakasama ni sakasama ni Watashi no jinsei wa kaetteyuku Hakaba kara yurikago made Suberi ochite Shiawase na futari ga koibito ni modori Daisuki datta obaa-chan ga egao de te o maneku Tomodachi no sundeiru pikapika no manshon wa Kouji no ato ni tanbo ni naru Karendaa no hidzuke ga ichinichi-zutsu modori Kouen no kusunoki ga chisaku natteiku Dareka ni nusumareteita o-ki ni iri no jitensha wa Watashi no moto ni kaette kuru Shoujo wa yagate aka-chan ni nari Okaa-san ni seowareteiku Hitotsu-zutsu wasureru tame ni Kodomo-tachi wa gakkou ni kayou Yukkuri to yukkuri to Tooku e kieru minna no senaka Kokoro kara suki datta ano hito mo Yagate mishiranu hito ni naru Sarasara to sarasara to Sora e noboru akai sunadokei Omoide wa yagate koori no you ni Mizu ni tokete kieyuku no Nishi kara noboru yuuhi ni mukatte Jitensha de saka o oritara Watashi o oikoshi anata wa hashiru Umi no mukou made kakenuketeiku Ajisai ga saku koro ni watashi wa Hitotsu-zutsu wakagaeru Ame wa sora e shitoshito kaeru Mirai o nosete mirai o nosete Yagate watashi mo kodomo ni modori Jitensha kara sanrinsha ni norikaeru Soshite watashi wa Okaa-san no naka he to Nakinagara kaeru Yurayura to yurayura to Mizuumi de hitori fune o koideitara Daremo inai hazu nano ni Shinzou no oto ga hibikiwataru Kirakira to kirakira to Mizu no soko de jitensha ga hikaru Itsuka kiita komoriuta ga Watashi o yobu no Sakasama ni sakasama ni Koko made tadoritsuite furikaereba Minna ga watashi ni tooku kara Warainagara ookiku te o futteita no Nigiyaka ni nigiyaka ni Koko kara hajimaru yo watashi no maachi Mizu no nagare ni mi o makasete Mirai o yume mite nemuru
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Personnel Policies for Engineers and Scientists An Analysis of Major Corporate Practice Univ of Pennsylvannia Center for? Herbert R. Northrup? UnivofPennsylvanniaCenterfor? HerbertR.Northrup? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Detroit Style Automotive Form 1925-1950 Founders Society Detroit Inst? FoundersSocietyDetroitInst? ジャンル別? Substores-UnknownASINs-28? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-General? Subjects-Professional&Technical-Engineering-General The Materials Science of Microelectronics Vch Pub? Klaus J. Bachmann? VchPub? KlausJ.Bachmann? ジャンル別? Substores-UnknownASINs-63? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-Semiconductors? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? 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第２幕 第１景：アロンと70人の長老たちが啓示の山の前にいる 【７０人の長老たち】 四十日だ！ 【司祭】 四十日間留まっている われらはすでにここに！ 【７０人の長老たち】 あとどれだけ待つのだ？ 【司祭】 どれほど待ち続けねばならぬのだ？ 四十日間待っている われらは今 モーゼを そしてまだ知らぬ 誰も戒律を そして法を！ 想像を越える法を 想像を越える神の！ 【ひとりの長老】 常に保有していたのだ ユダが最高の牧草地を！ 【もうひとりの長老】 エジプトよりも過酷に 苦役へと休みもなしで エフライムは駆り立てる ベンヤミンの息子たちを！ 【三番目の長老】 ベンヤミンの息子たちは エフライムの女たちを奪ったのだ！ 【７０人の長老たち】 暴力が支配している！ 姦淫も自らの罰を知らず 美徳は報われることがない！ 四十日間待ったのだ われらは空しく この高みを前に！ 【アロン】 モーゼがこの高みより降り来た時には 彼のみに法が明らかにされて 私の口より法や掟が伝えられるであろう 期待してはならぬ 形式をその思念の前に！ それらは同時にそこにあるのだから！ 【７０人の長老たち】 それでは遅すぎるではないか 来るのが！ 民は絶望しているのだ！ 民は信じるのを止めた この高みを そこの柵が啓示の山を分け隔てている 彼らは怒り われらを誰も信ようとはしない もはや この柵は作り事だと見なし 啓示は言い逃れだと思っている モーゼの沈黙は逃亡だと！ （遠くから物音がする） 聞け！聞け！もう遅すぎる！ （騒音 唸り 轟音が近づき 一層大きくなって急激に近づく 怒りで興奮した群衆が叫びながらあらゆる方向から舞台になだれ込んでくる） 第２景 【コーラス】 どこにいるのだ モーゼは？ われらは奴を引き裂いてやるぞ！ どこだ 遍くおられるお方とやらは？ 一緒に眺めているだけの！ どこだ 全能なるお方とやらは？ われらを邪魔しているだけの！ 恐れはせぬぞ！引き裂いてやる 奴を！ 想像を超えるお方とやらが禁じておられぬからな！ 返してくれ われらに われらの神々を再び 秩序をお作りになる神々を！ さもなくば引き裂いてやるぞ 貴様らを 貴様らを われらから法と正義を奪った （彼らはアロンと70人の長老たちに詰め寄る） 【７０人の長老たち】 アロン われらを助けてくれ！話すのだ 彼らと！ 彼らはわれらを殺すぞ！そなたのことなら聞く！ そなたが掴んでいるからだ 彼らの心を！ 【アロン】 イスラエルの民よ！ わが弟モーゼは留まっているのだ 彼が常に在るところに われらの近くにいようと遠かろうと 彼は居るのだ あの高みの上 彼の神の御許に もしかすると彼はわれらを捨てたやも知れぬ われらを遠く離れて もしかすると神が彼を見捨てたのかも知れぬ 彼がそばに寄った神が もしかすると彼は神に近づきすぎたのだ！ 厳格な神である もしかすると神は彼を殺したやも知れぬのだ！ 【コーラス】 （ひとつのグループで） 神々が奴を殺したのだ！ 【コーラス】 神々が奴を殺したのだ！ 強力な神々が破滅させたのだ あの邪悪な者を！ あの永遠のお方とやらは奴を守れなかった 見えざるお方とやらは助けられなかったのだ 見えざるお方とやらは決して見えぬ 奴の神は無力だ 奴らを引き裂け 殺せ そいつの司祭どもを 殺せ 奴らを 燃やしてしまえ 奴らを 司祭どもを この偽りの神の！ 【７０人の長老たち】 アロンよ われらを助けよ 宥めてくれ！ 【アロン】 イスラエルの民よ！ 汝らの神々を与えよう われは汝らに再び そして汝らをその神々へと 汝らが求める通りに 任せよ 遠き彼方のことは永遠なるお方に！ 汝らには 神々は 現前し 常に実在すると言うのだから 汝らの差し出した素材により 私が与えてやろう それに形を 日々 目に見えて 分かりやすく 黄金でできた不滅のものを ここへ黄金を持ってくるのだ！ 捧げよ！呼び求めよ！ 必ずや汝らは幸せになるであろう！ 【コーラス】 歓呼せよ 喜べ！歓呼せよ イスラエルよ！ 神々よ われらの目に見える偶像よ 神々よ われらの感覚を支配される方々！ 御身らが現実に目に見えることが 存在されることが保証するのだ われらの安全を その有限さが そして測り知れることが 求めぬのだ われらの感覚を超えることを 神々よ われらの感覚に近く 神々よ われらが完全に理解できる 美徳には至福で酬い 悪しき行いは公正さで罰し 示したまえ われらの行いの結果を 神々よ示したまえ 御身の力を 歓呼せよ イスラエルよ 喜べ！ 彩りに富むのだ 目の前にある神々は 陰鬱なのは あの永遠なる方とやらだ 生の欲望は恐れず その終わりを 怖じけることなく探し求める その行く先を 悦びは境を接しながら 生と死とに 高め合って行くのだ お互いを 脅威が燃え立たせる 生きる勇気を 不屈と勇敢さを そなたの神々に 内実あるものとして 捧げたのだ そなたは自らの内なる そなたの生の充足を そなたの神々の壮麗さが 確かなものとする そなたの黄金を 譲り渡すのだ そなたも！ そなたが貧しき者となり 神々を豊かにするのだ 神々がそなたを飢えたままにすることはない！ 歓呼せよ イスラエルよ！ 歓呼せよ！ （合唱の最後の部分で背後の視界が開ける） 第３景：黄金の子牛と祭壇 【アロン】 この偶像は示している すべて存在するもののうちに 神が宿ることを 変わらざるものが 原理のごとく 素材なのだ 黄金が 汝らが捧げた 見た目は - 移ろい行くものだ 他のすべてと同じように：二次的なものではあるが この姿は 私がこれに与えた 崇拝するが良い 自らをこの象徴のうちに！ （すでにアロンの最後の演説の最中にあらゆる方向から荷を積んだラクダ、ロバ、馬や人夫や荷車がステージに列をなしてやって来る 彼らは貢物を運んできたのだ 黄金 穀物 ワインの皮袋 牛やその他もっとたくさんのものである 舞台の前後のあちこちの場所で荷降ろしされ 積み上げられて行く あらゆる種類の家畜を伴った行列が一斉に通り過ぎ あちこちで屠殺の準備が始まる ..家畜には花輪が飾られている 巨大な包丁を持った屠殺人たちが現れて 家畜のまわりを荒々しく跳びはねながら踊る） 屠殺人の踊り （ゆっくりと夕闇が迫ってくる 屠殺人たちは今や家畜を殺し その肉片を押し寄せる群衆へと放り投げる 何人かは血まみれの肉片を持って駆けまわりそれを生のままで貪り食う その間に大きな釜が運び込まれ 薪が積み上げられる 釜が吊るされる 祭壇の上には焼かれた生贄が捧げられている 一人の病める女が担架で運びこまれてくる 前方の一団が場所を空けると 病人は黄金の子牛の前に横たえられる） 【病める女】 おお神々の像よ 御身は輝き 暖め 癒してくださいます 太陽ですら癒せなかった私を この指が御身に触れるだけで 御身はこの萎えた手足を動かして下さるのです （彼女は立ち上がり 驚いた群衆の前を歩いて行く） （一方 釜の下では火が焚かれ 焼かれ煮られている 暗闇が広がるにつれてあちこちで炎が燃え上がる また松明が灯され 人々は前に後ろに駆けまわる ワインや油の袋が配られて ワインや油が巨大な瓶に注がれる その間も背後では屠殺が続けられている 背景ではやがて駆け付けて現れるはずの族長のために場所が空けられる 病んだ女の奇跡に恍惚として 人々があらゆる方向から黄金の子牛に殺到するが徐々に分かれて二つのグループを形成する：一方は乞食女と乞食男たち 他方は老人たち） 【乞食女たち】 （子牛にとても近づいて） ここに おお神々よ お取り下さい この最後のぼろ布を これは私どもを焼けつく太陽と砂漠の塵より 守ってきたものです それからこの最後の一口を 私どもが明日のために乞い求めたものです （彼女たちは着物を投げ出し 食物を捧げる 何人かのそばに立っていた者たちが乞食に近づいて彼らに贈り物を差し出そうとするが拒否される 数名の老いた男たちが苦労して足を引きずりながら 今や黄金の子牛の前に立っている！） 【老人たち】 この最後の瞬間まで わしらはずっと生き長らえて参りました お受け取り下さい この身を生贄として （彼らは斃れる） 【７０人の長老たち】 彼らは自らを殺したぞ （トランペットの爆音が舞台裏で響き近付いてくる ギャロップが聞こえ急速に近づいてくる 人々は驚いて散らばって行く 部族長たちとエフライム族の男が荒馬に乗って子牛のところへ近づき そこで跳び降りる まわりの者が馬を抑える） 【エフライム族の男】 自由であるなら 自らの主たちの下で 従うのだ 民はただ神々にのみ 力強く統べ給う 部族長たちよ 敬おうではないか われと共に この偶像を 統率の力の！ 【部族長たち】 全員を代表して われらの率いる部族の 神々よ われらをご覧あれ 御身らの前に跪く 最高の力を受けしこの強き力を 【コーラス】 自由なのだ 自らの主たちの下で！ （若い男が群衆の間を通って進み出てくる 彼は骸骨のように痩せており 熱に浮かされているように見える 長い棒を両手で持って周囲の者たちを叩きながら 偶像を拝むのを止めさせようとする） 【若者】 思考の高みにわれらは登っていた 現在より離れ 未来に近づいて！ 生活の深みにわれらはまた汚された 打ち砕かれよ このかりそめの偶像よ！ 純粋であれ 永遠への眼差しよ！ （彼の後ろに立っていたエフライムの男は彼の首をつかみ 地面に押し付ける） 【エフライム族の男】 さあ見るがいい 今こそ永遠を この世の暮らしに値打ちがないと思うのならな （部族長たちはその若い男を殺し それから自分の馬に飛び乗るとてんでんばらばらに群衆の間に紛れ込み 目立たぬように消えて行く 群衆たちの間ではそれまでの献身や捧げものと言った行為に続いて お互いに与え合う欲望が支配し始める 女たちは互いに宝石やスカーフのようなものを交換しあい 男たちは武器や装備といったものを与え合う お互いに食べ物や飲み物を提供し合い 別の者たちは、花輪で飾り合う 互いに何かしようというのを手助けし合っている） 酩酊とダンスの饗宴 （あちこちでワインが流れるように注がれている 激しい酩酊が全員を捕らえる 男は重い石の瓶を回りで振りまわし ワインを互いに注ぎ合う それからとんでもない踊りを始め あちこちで口論や殴り合いが起こる） 【７０人の長老たち】 幸いなるは民 そして偉大にも示す 奇跡は この興奮が この陶酔が可能とすることを 変わらぬ者はなく 誰もが高められる 感激せぬ者はなく 誰もが感動する 人間の徳は 力強く再び目覚める 真剣さと歓喜 節度と放縦 活気 幸福と憧れ 勢い そして安らぎ 分別 欲望 自己否定、吝嗇 浪費も貪欲も すべての美 善 醜 悪 自らの生の証が知覚でき 感じ取れる - 感覚は与え 魂に最初に意味を 魂は感覚となる 神々よ 彼らの魂に贈りたもうたお方 感覚を 魂を知覚する 神々よ 讃えられよ！ 破壊と自殺の饗宴 （四人の裸の若い娘 そのうちの一人は第１幕で子牛の前に現れた少女である） 【乙女】 あなた様 黄金の神よ 快感のように私を貫いて流れます あなた様の栄光が！ 輝くものだけが 善きものなのです 侵すことのできない黄金の美徳が 失うことのない処女の純潔が 報われるのです 模範や偶像となって 【四人の裸の乙女】 おお黄金の神さま おお司祭さま 黄金の神々の 処女の純潔の血は 黄金の金属の冷たさと同じように 果実へと暖まることはありません おお 神々さま 悦ばせて あなたの司祭さま方を 悦ばせて下さい 私たちを最初で最後の快楽に 熱くして 私たちの血を 音を立てて冷たい黄金のもと蒸発してしまうように！ おお 赤い黄金よ！ （司祭たちはこの若い乙女たちに襲いかかり 抱きしめて長いキスをする - 各ペアの後ろには少女がひとりずつ 長い屠殺用のナイフと血を集めるための入れ物を手にして現れる） 【７０人の長老たち コーラス】 （身震いしながら） 血の生贄だ！ （少女たちは司祭にナイフを差し出し 司祭は乙女の喉を押さえると その胸にナイフを突き立てる 少女たちはその血を入れ物に受け 司祭は祭壇の上にそれを注ぐ） 【四人の裸の乙女】 （死のため息をついて） ああ！ （群衆は今や破壊や自殺を始めるようになり 器は砕かれ 石の甕は割られ 車は壊されるなどが引き起こされる 手当たり次第に物が投げられる 刀剣 短剣 手斧 槍 甕 道具などである 逆上して互いに物や武器を投げつけ合う者 他の者は剣に身を突き立てたり 日の中に飛び込んで火だるまになって舞台を駆け回る者 高い岩の上から飛び降りる者 それから野蛮な踊り） 性の饗宴 （ひとりの裸の若者が前に駆け出してきて少女に襲いかかり 彼女の服を引き裂くと その少女を持ち上げて祭壇に向かって走って行く） 【裸の若者】 あんたたちをお手本に 神々よ 生きてやるぜ 俺たちゃ愛を求めて！ （多くの男どもがそれを真似て 自分の服を脱ぐと女たちの服も脱がせ 同じように持ち上げると祭壇のところで立ち止まり 舞台裏へと消えて行く） 【別の裸の若者】 聖なるは生殖の力！ 【さらに他の者】（もっと多く） 聖なるは実を結ぶ力！ 【更に多くの者】 聖なるは情欲なり！ 裸の者どもの行列はこのようにして叫び喚きながら祭壇の所を通り過ぎて行き舞台裏に消えて行き 裸の者どもが去るにつれて舞台上には人がいなくなってくる やがてあらゆる興奮は収まり 熱狂と酩酊は倦怠と虚脱に変わる 多くは眠りに落ちるが 別の者は静かに去って行く なおも舞台裏やあちこちから音楽や歌声が聞こえてくる） 【コーラス】 神々よ その魂を授けて下さったお方… 五感 魂を知覚するものを… 御身 黄金の神よ！ 黄金は輝く 欲望のように！ 人間の美徳は黄金のようなものだ！ 黄金は欲望のようなものだ！ 欲望は凶暴だ！ 黄金は輝く 血のように！ 黄金は支配力だ！ 献身だ！ 正義だ！ 目をくらます輝きだ！ （火が消えてほとんど見えなくなる あらゆる舞台の上の動きは止む） 第４景 （背景の一番後ろの丘のひとつの上に男が立って 啓示の山と思われる方向をしばらく見つめていたが 横たわっている者たちを身振りでまず目覚めさせるとそれから叫ぶ） 【ひとりの男】 モーゼが山から降りてくるぞ！ （この叫びで眠っていた者たちはあちこちで目覚め あらゆる方向から再び流れるように集まって来る） 【モーゼ】 消え失せよ 力なき偶像よ 無限なるものを型にはめてしまう者よ （黄金の子牛が消えると 人々は後退し 舞台から急速にいなくなる） 【民衆】 黄金の輝きは消えた われらの神は再び見えなくなった すべての快楽 すべての歓喜 すべての希望は 消えた！ すべては再び暗く 光を失った！ われらは逃げよう この力から！ （全員退場し モーゼとアロンだけになる） 第５景：モーゼとアロン 【モーゼ】 （極度に怒って） アロンよ 何をそなたはしたのだ？ 【アロン】 何も 新しいことは！ ただ 常にわが任務であったことのみだ そなたの思念に言葉がなく 私の言葉が 形を描き出さなかったのなら 彼らの耳に 彼らの目の前に 奇跡を起こさせるという務めを 【モーゼ】 それは誰が命じたのだ？ 【アロン】 いつものように： 私は聞いたのだ 声を私の中で 【モーゼ】 私は話していない 【アロン】 だが 私はそれでも理解していたのだ 【モーゼ】 （脅すようにアロンに向かって歩み寄り） 沈黙せよ！ 【アロン】 （驚いたように後退して） そなたの…口は… そなたはあまりに長い間離れ過ぎていた われらから… 【モーゼ】 わが思念のもとで！ それはそなたと共にあったはずだ！ 【アロン】 そなたが一人いなくなってしまえば そなたは死んだと思われるだろう 民はそなたの口からの言葉を 法と掟を 長いこと待っていたのだ だから私は彼らに偶像を描き出して見せねばならなかった 【モーゼ】 そなたの偶像は崩れ去った 私の言葉で！ 【アロン】 そなたの言葉は 偶像を そして奇跡を下らぬものとして否定してきた そして奇跡とて 偶像ほどのものでもなかったのだ そなたの言葉がわが偶像を破壊したように 【モーゼ】 神の永遠が破壊したのだ 神々の存在を！ それは偶像でも 奇跡でもない！ これは法なのだ これは不滅なのだ この石板に書かれてある通り 束の間のものだ そなたの口から出る言葉など！ （彼はアロンに向かって石板を差し出す） 【アロン】 イスラエルの存続こそが証明する 永遠のお方の思念を！ 【モーゼ】 推測することができるのか そなたは全能なるものの 言葉も具象も超えた思念を？ 【アロン】 私は理解している このように： これらの民は守られていなければならぬと しかし この民は感じることしかできぬ 私はこの民を愛している 私は民のために生きるのだ そして彼らを守りたいのだ！ 【モーゼ】 かの思念のためにだ！ 私はこの思念を愛し そのために生きる！ 【アロン】 だがそなたはこの民も愛するだろう そなたが見るならば この民がいかに生きているのかを 彼らが見 感じ 願っているときに いかなる民も信じることはできぬ 感じ取ることのできぬものを 【モーゼ】 そなたに私を動じさせることはできぬ！ 彼らはこの思念を理解せねばならぬのだ そのためだけに生きるのだ！ 【アロン】 ならば嘆きに満ちた 民に 殉教の民になってしまうではないか！ いかなる民もほんの一部しか理解はできぬのだ 偶像の しかもそれはほんの一部しか 思念を現してはおらぬのに だからそなたをこの民に理解させよ 彼らに適したやり方で 【モーゼ】 私にこの思念を歪めよと言うのか？ 【アロン】 私にそれを解決させよ！ 書き写すのだ 口に出すのではなく 禁令は 恐ろしくとも 従い得るものならば 確実に守られるであろう 必要性を明らかにする 戒めは 厳しくとも 希望を呼び覚ますものならば 根を下ろすであろう その思念は 無意識のうちに為されるであろう そなたが思った通りに 人間らしく打ち震えながら そなたもこの民に感じるであろう ただ愛すべきものと！ 【モーゼ】 私はそのような体験は望まぬ！ 【アロン】 そなたは生きていかなければならぬ！ そなたはできぬのだ 他のことは！ そなたは自分の思念に縛りつけられているのだ！ 【モーゼ】 そうだ わが思念に この石板に書き記されているようにな… 【アロン】 それは思念の一部に過ぎぬ 【モーゼ】 ならば私はこの石板を打ち砕き そして神に祈ろう 私を この役目から解放して下さるように （彼は石板を砕く） 【アロン】 意気地のない者め！ そなたは神の言葉を担っておるのだ 石板があろうとなかろうと われはそなたの口として そなたの思念を守り いつでもそれを表現できるようにしているぞ 【モーゼ】 偶像を通じてか！ 【アロン】 そなたの思念の像なのだ： 像は思考なのだ そこから流れ出るすべてのものと同じように 私は頭を垂れよう この必要性には この民が守られて この永遠の思念を目撃できるように 私の運命は 分かりやすく伝えること 私がそれを理解したよりもずっと 智者はそれでも本質をいつでも 見いだすであろう！ 【コーラス】 （火の柱に導かれ背景を通り過ぎてゆく） 神はわれらをすべての民の中より選んだのだ 唯一なる神の民と為すために ただ一人の神に仕えさせるために 他の誰も仕えることはできぬ！ 神はわれらをあの土地に導くであろう 乳と蜜の地に そしてわれらは享受するのだ われらの祖先が約束されしことを 全能の神よ 御身はずっと強大なり エジプトの神々よりも！ 【アロン】 あそこを見よ！ 【モーゼ】 火の柱だ！ 【アロン】 あれは夜にわれらを導く - 全能なるお方は私を通して与えて下さったのだ 民にひとつの印を （背景は急に昼間に変わり 火の柱は消えて雲の柱に変わる 前景は比較的暗いままである） 【モーゼ】 雲の柱だ！ 【アロン】 あれは導くのだ われらを昼に 【モーゼ】 偶像にすぎぬ！ 【アロン】 神の印なのだ 燃える茨の茂みと同じように そこに永遠なるお方が現れているのではない だがそこへ至る道が示されている そして約束の地への道が！ （アロンはゆっくりと背後へ下がる） 【モーゼ】 想像を超えた神よ！ 語ることもできず たくさんの意味を持つ思念よ！ 御身はこのような解釈を許されるのか？ アロン 私の口に あのような偶像を作らせることを？ 私もそのように像を作り 過ちを犯した 像は所詮 像でしかないから！ そして私は打ち破られた！ そしてすべて妄想となってしまった 私がずっと考えてきたものは そして語ることができず 語ってはならぬものに！ おお言葉よ 言葉よ 私に欠けているものよ！ （モーゼは絶望して地面に倒れ込む） ZWEITER AKT 1. Szene Aron und die 70 Ältesten vor dem Berg der Offenbarung . DIE 70 ÄLTESTEN Vierzig Tage! PRIESTER Vierzig Tage liegen wir nun schon hier! 70 ÄLTESTE Wie lange noch? PRIESTER Wie lange soll das noch dauern? Vierzig Tage warten wir nun auf Moses, und noch immer weiß keiner Recht und Gesetz! Unvorstellbares Gesetz des unvorstellbaren Gottes! EIN ÄLTESTER Immer besetzt Juda die besten Weideplätze! EIN ANDERER Ärger als Ägypten, zu Fron ohne Ruhetag zwingt Ephraim Benjamins Söhne! EIN DRITTER Benjamins Söhne haben Ephraims Weiber geraubt! 70 ÄLTESTE Gewalt regiert! Unzucht kennt ihre Strafe nicht, Tugend nicht ihren Lohn! Vierzig Tage warten wir vergebens vor dieser Höhe! ARON Wenn Moses von dieser Höhe herniedersteigt, wo ihm allein das Gesetz sich offenbart, soll mein Mund euch Recht und Gesetz vermitteln. Erwartet die Form nicht vor dem Gedanken! Aber gleichzeitig wird sie da sein! 70 ÄLTESTE Das wird zu spät kommen! Das Volk ist verzweifelt! Es mißtraut dieser Höhe, deren Umzäunung es vom Berg der Offenbarung trennt. Es rast, es glaubt uns keinem mehr; hält die Umzäunung für Willkür, die Offenbarung für Ausflucht, Moses' Schweigen für Flucht! (Lärm aus weiter Ferne) Hört! Hört! Zu spät! (Lärm, Geheule und Tosen kommt, immer lauter, rasch näher; in wütender Erregung stürzt von allen Seiten die brüllende Volksmenge auf die Bühne) 2. Szene CHOR Wo ist Moses? Daß wir ihn zerreißen! Wo ist der Allgegenwärtige? Daß er es mit ansieht! Wo ist der Allmächtige? Daß er uns daran hindre! Fürchtet nichts! Zerreißt ihn! Der Unvorstellbare hat es nicht verboten! Gebt uns unsre Götter wieder, daß sie Ordnung schaffen! Oder wir zerreißen euch, die ihr uns Gesetz und Recht genommen habt. (Sie dringen auf Aron und die 70 Ältesten ein) 70 ÄLTESTE Aron, hilf uns! Sprich zu ihnen! Sie morden uns! Dich hören sie! Du hast ihr Herz! ARON Volk Israels! Mein Bruder Moses weilt, wo er immer ist, ob er uns nah ist oder fern; er weilt auf dieser Höhe bei seinem Gott. Vielleicht hat er uns verlassen, der uns fern war; vielleicht hat sein Gott ihn verlassen, dem er nah war; vielleicht kam er ihm zu nah! Es ist ein strenger Gott Vielleicht hat er ihn getötet! CHOR (ein Gruppe) Die Götter haben ihn getötet! CHOR Die Götter haben ihn getötet! Die starken Götter vernichten den Frevler! Die Ew'ge konnt ihn nicht beschützen. Der Unsichtbare kommt keinem zu Hilfe. Der Unsichtbare läßt nirgends sich blicken. Sein Gott ist machtlos. Zerreißt sie, tötet seine Priester, erschlagt sie, verbrennt sie, die Priester dieses falschen Gottes! 70 ÄLTESTE Aron, hilf uns; gib nach! ARON Volk Israels! Deine Götter geb' ich dir wieder und dich ihnen; wie es dich verlangt. Lasset die Ferne dem Ewigen! Euch gemäß sind Götter gegenwärtigen, alltagsnahen Inhalts. Ihr spendet diesen Stoff, ich geb' ihm solche Form Alltäglich, sichtbar, faßlich, in Gold verewigt. Bringt Gold herbei! Opfert! Ruft ihn an! Ihr sollt glücklich werden! CHOR Jubelt, freut euch! Juble, Israel! Götter, Bilder unsres Auges, Götter, Herren unsrer Sinne! Ihre leibliche Sichtbarkeit, Gegenwart, verbürgt unsre Sicherheit; ihre Grenzen und Meßbarkeit fordern nicht, was unserm Gefühl versagt. Götter, nahe unserm Fühlen, Götter, die wir ganz begreifen Tugend lohne Glückseligkeit, Übeltat bestrafe Gerechtigkeit; zeigend unsrer Taten Folgen, Götter, stellt sich eure Macht dar. Juble, Israel, freue dich! Farbig ist diese Gegenwart, düster ist jene Ewigkeit; Lebenslust scheut ihr Ende nicht, furchtlos sucht sie es freiwillig; Lust grenzt an Leben und an Tod, steigert zu dem von jenem sich; Drohung entzündet Lebensmut, Standhaftigkeit und Tapferkeit. Deinen Göttern als Inhalt gabst du dein Innres, dein Lebensgefühl. Deiner Götter Aussehn sichert dein Gold entäußre dich sein! Mach dich arm, mach sie reich Sie werden dich nicht hungern lassen! Juble, Israel! Juble! (Während des Letzten hat der Chor den Ausblick auf den Hintergrund freigegeben) 3. Szene das goldene Kalb und der Altar ARON Dieses Bild bezeugt, daß in allem, was ist, ein Gott lebt. Unwandelbar, wie ein Prinzip, ist der Stoff, das Gold, das ihr geschenkt habt; anschaulich - wandelbar, wie alles andre Zweite, ist die Gestalt, die ich ihm gegeben. Verehrt euch selbst in diesem Sinnbild! (Schon während Arons letzter Ansprache sind von verschiedenen Seiten her Züge beladener Kamele, Esel, Pferde sowie Lastträger und Wagen auf die Bühne gekommen. Sie bringen Opfer herein, Gold, Getreide, Weinschläuche, Vieh und dergleichen mehr. An vielen Plätzen der Vorder und Hinterbühne wird abgeladen und aufgeschichtet. Züge mit Vieh aller Arten gehen vorüber. Gleichzeitig werden an vielen Stellen Vorbereitungen zum Schlachten getroffen das Vieh wird geschmückt, bekränzt; Schlächter mit großen Messern treten auf, umtanzen das Vieh in wilden Sprüngen) Tanz der Schlächter (Es wird langsam Abend. Die Schlächter schlachten nun das Vieh, werfen Fleischstücke in die Menge, die sich darum balgt. Einzelne Personen laufen mit blutigen Fleischstücken herum und verzehren sie roh. Inzwischen werden große Kessel gebracht. Brennmaterial wird aufgeschichtet. Die Kessel werden aufgehängt. Am Altar werden Brandopfer dargebracht. Eine Kranke wird auf einer Bahre hereingetragen. Die Menge vorn macht Platz, die Kranke wird vor dem Goldenen Kalb abgesetzt) EINE KRANKE O Götterbild, du strahlst, du wärmst, du heilst, wie niemals die Sonne geheilt. Den Finger leg' ich bloß auf dich, und schon bewegen sich die lahmen Glieder. (Sie steht auf und geht durch die staunende Menge) (Inzwischen wurden Feuer unter den Kesseln entzündet, man brät und siedet; mit zunehmender Dunkelheit flammen überall große Feuer auf. Auch Fackeln werden angezündet, und Menschen laufen mit solchen hin und her. Wein- und Ölschläuche werden verteilt, Wein und Öl in große Krüge gegossen. Dabei gehen im Hintergrund die Vorgänge des Schlachtens usw. weiter. Im Hintergrund wird dann rechtzeitig Platz geschaffen für den Auftritt der herein galoppierenden Stammesfürsten. Entzückt von dem Wunder der Kranken, haben sich einzelne Personen von verschiedenen Seiten zum Goldenen Kalb hervorgedrängt und bilden allmählich und nacheinander die beiden Gruppen Bettlerinnen und Bettler einerseits, Greise andrerseits) BETTLERINNEN (ganz nahe dem Kalb) Hier, o Götter, nehmt die letzten Lumpen, die uns vor Sonnenglut und Wüstenstaub geschützt haben. Und hier die letzten Bissen, die wir uns für morgen erbettelt haben. (Sie werfen ihre Kleider ab, legen Nahrungsmittel hin. Einige der Umstehenden drängen sich an die Bettler heran, bieten ihnen Geschenke an, werden aber abgewiesen. Einige Greise, die sich mühsam herangeschleppt haben, stehen nun vor dem Goldenen Kalb!) GREISE Die letzten Augenblicke, die wir noch zu leben haben, nehmt sie als Opfer. (Sie sinken um) 70 ÄLTESTE Sie haben sich getötet. (Posaunenstoß hinter der Szene. Kommt näher; Galopp wird hörbar; nähert sich rasch; das Volk, aufgeregt, stiebt auseinander; die Stammesfürsten und der Ephraimit reiten in wildem Galopp bis vor das Kalb; springen dort ab; Umstehende halten die Pferde) DER EPHRAIMIT Frei unter eigenen Herren, unterwirft sich ein Volk nur Göttern, die kraftvoll herrschen. Stammesfürsten, huldigt mit mir diesem Abbild geregelter Kräfte! DIE STAMMESFÜRSTEN Im Namen aller von uns geführten Stämme, Götter, seht uns vor euch auf den Knien, die höhere Macht der höchsten unterworfen. CHOR Frei unter eigenen Herren! (Der Jüngling hat sich einen Weg durch die Menge gebahnt. Er ist zum Skelett abgemagert, sieht fiebrig aus. Mit einer langen Latte, die er mit beiden Händen hält, schlägt er auf die Umstehenden ein und will sie zwingen, vom Götzendienst abzulassen) JÜNGLING Gedankenhoch waren wir erhöht, gegenwartsfern, zukunftsnah! Lebenstief sind wir erniedrigt. Zertrümmert sei dies Abbild des Zeitlichen! Rein sei der Ausblick zur Ewigkeit! (Der Ephraimit der hinter ihm gestanden ist, ergreift ihn am Genick und drückt ihn zu Boden) DER EPHRAIMIT Hier Blick nun zur Ewigkeit, wenn dir Lebensnähe so wenig wert ist. (Die Stammesfürsten erschlagen den Jüngling, dann besteigen sie ihre Pferde, mischen sich, einzeln und unregelmäßig, unter das Volk und verschwinden, abreitend, unauffällig. In der Volksmenge herrscht nach den vorigen Handlungen der Hingabe und der Opfer eine Lust, sich gegenseitig zu beschenken, vor. Frauen schenken einander Schmuck, Tücher und dergleichen, Männer Waffen, Geräte und dergleichen; man bietet einander Speisen und Getränke, bekränzt sich und andere mit Blumen; einer hilft dem andern bei jeglicher Tätigkeit und ähnliches mehr) Orgie der Trunkenheit und des Tanzes (Überall wird nun Wein in Strömen ausgeschenkt. Eine wilde Trunkenheit bemächtigt sich aller. Man wirft die schweren Steinkrüge umher, begießt sich gegenseitig mit Wein und gerät in tolles Tanzen, wobei es auch hier und da zu Zwistigkeiten und Prügeleien kommt) 70 ÄLTESTE Selig ist das Volk, und groß zeigt ein Wunder, was Begeisterung, was Entzückung imstande umverwandelt keiner, jeder erhoben, unergriffen keiner, jeder ergreifend. Menschentugend, kraftvoll, wieder erweckte Ernst und Freude, Maß und Übermaß, Frohsinn, Glück und Sehnsucht, Schwung und Ruhe, Besinnung. Gier, Entsagung, Geiz, Verschwendung und Habsucht, alles Schöne, Gute, Häßliche, Schlechte, Eigenlebens Zeugnis, wahrnehmbar, fühlbar. - Sinn schenkt Seele Sinn erst. Seele ist Sinn. Götter, die ihr Seele schenktet, Sinne, Seele wahrzunehmen. Götter, seid gepriesen! Orgie der Vernichtung und des Selbstmordes (Vier nackte Jung Frauen, eine davon das Mädchen, siehe 1. Akt, treten vor das Kalb) MÄDCHEN Du goldener Gott, wie Lust durchströmt mich dein Glanz! Was glänzt nur, ist gut. Unangreifbare Tugend des Golds, unverlierbare Jungfräulichkeit, belohnt als Vorbild und Abbild. VIER NACKTE JUNGFRAUEN O goldener Gott, o Priester goldener Götter, das Blut jungfräulicher Unberührtheit, gleich Goldes metallischer Kälte zur Frucht nicht erwärmt, oh, Götter, entzückt eure Priester, entzückt uns zu erster und letzter Lust, erhitzt unser Blut, daß es zischend am kalten Gold verrauche! O rotes Gold! (Die Priester stürzen auf die Jungfrauen zu, umarmen und küssen sie lange. - Hinter jedes Paar stellt sich ein Mädchen, das ein langes Schlachtmesser und ein Gefäß zum Auffangen des Blutes in den Händen hält) 70 ÄLTESTE CHOR (SCHAUDERND) Blutopfer! (Die Mädchen reichen den Priestern die Messer; die Priester fassen die Jungfrauen an der Gurgel und stoßen ihnen das Messer ins Herz; die Mädchen fangen das Blut in den Gefäßen auf; die Priester gießen es auf den Altar) VIER NACKTE JUNGFRAUEN (stoßen einen Todesseufzer) Ah! (Die Menge beginnt nun mit Verwüstung und Selbstmord; es werden Geräte zerschlagen, die Steinkrüge zerbrochen, die Wagen zertrümmert usw.; man schleudert alles mögliche umher Schwerter Dolche, Beile, Lanzen, Krüge, Geräte usw. Im Taumel werfen einzelne sich den Gegenständen, Waffen und dergleichen entgegen, andere stürzen sich in Schwerter, wieder andere springen ins Feuer, laufen brennend über die Bühne, einige springen von hohen Felsen herab und dergleichen mehr; hierzu wilde Tänze). Erotische orgie (Ein nackter Jüngling läuft nach vorn, auf ein Mädchen zu, reißt ihm die Kleider vom Leib, hebt es hoch und rennt mit ihm zum Altar) DER NACKTE JÜNGLING Eurem Vorbild, Götter, leben wir die Liebe nach! (Viele Männer folgen diesem Beispiel, werfen ihre Kleider ab, entkleiden Frauen und tragen sie denselben Weg, am Altar haltmachend, nach dem Hintergrund) EINIGE ANDERE NACKTE Heilig ist die Zeugungskraft! NOCH ANDERE (MEHR) Heilig ist die Fruchtbarkeit! VIELE ANDERE Heilig ist die Lust! (Ein ganzer Zug Nackter läuft auf diese Weise mit Geschrei und Gejohle am Altar vorbei und verschwindet im Hintergrund. Die Bühne ist durch den Abzug der Nackten leerer geworden; nun legt sich bald alle Erregtkeit; Taumel und Trunkenheit gehen in Erschlaffung und Müdigkeit über; viele sinken schlafend um oder ziehen sich still zurück. Aus dem Hintergrund klingt noch Musik und Gesang, von immer anderen Stellen her) CHOR Götter, die ihr Seele schenktet… Sinne, Seele wahrzunehmen… Du goldener Gott! Gold glänzt wie Lust! Menschentugend gleicht Gold! Gold gleicht Lust! Lust ist Wildheit! Gold glänzt wie Blut! Gold ist Herrschaft! Hingabe! Gerechtigkeit! Verwirrender Glanz! (Die Feuer erlöschen, bis auf wenige, allmählich. Alle Bewegung auf der Bühne hat aufgehört) 4. Szene (Im Hintergrund, möglichst weit hinten, auf einem der Hügel, erhebt sich ein Mann, blickt eine Weile in die Richtung, wo man den Berg der Offenbarung zu denken hat, weckt gestikulierend einige ihm zunächst Liegende, die er veranlaßt, in dieselbe Richtung zu blicken und ruft dann) EIN MANN Moses steigt vom Berg herab! (Auf diesen Ruf hin erwachen allenthalben die Schlafenden, erheben sich, und von allen Seiten strömt wieder Volk herbei) MOSES Vergeh, du Abbild des Unvermögens, das Grenzenlose in ein Bild zu fassen! (Das Goldene Kalb vergeht; das Volk weicht zurück und verschwindet rasch von der Bühne) VOLK Der Strahl des Goldes erlischt; Unser Gott ist wieder unsichtbar. Alle Lust, alle Freude, alle Hoffnung ist weg! Alles wieder trüb und lichtlos! Laßt uns den Gewaltigen fliehn! (Alle ab bis auf Moses und Aron) 5. Szene Moses und Aron MOSES in höchstem Zorn. Aron, was hast du getan? ARON Nichts Neues! Nur, was stets meine Aufgabe war Wenn dein Gedanke kein Wort, mein Wort kein Bild ergab, vor ihren Ohren, ihren Augen ein Wunder zu tun. MOSES Auf wessen Geheiß? ARON Wie immer ich hörte die Stimme in mir. MOSES Ich habe nicht gesprochen. ARON Aber ich habe dennoch verstanden. MOSES (drohend einen Schritt auf Aron zu) Schweig! ARON (weicht erschreckt zurück) Dein…Mund… Du warst lange fern von uns… MOSES Bei meinem Gedanken! Das müßte dir nahe sein! ARON Wenn du dich einsam machst, wirst du tot geglaubt. Das Volk hat auf das Wort deines Mundes, dem Recht und Gesetz entspringen, lange gewartet. So mußte ich ihm ein Bild zu schauen geben. MOSES Dein Bild verblich vor meinem Wort! ARON Deinem Wort waren sonst Bilder und Wunder, die du mißachtest, versagt. Und doch war das Wunder nicht mehr als ein Bild als dein Wort mein Bild zerstörte. MOSES Gottes Ewigkeit vernichtet Götter Gegenwart! Das ist kein Bild, kein Wunder! Das ist das Gesetz. Das Unvergängliche, sag es, wie diese Tafeln, vergänglich; in der Sprache deines Mundes! (Er hält Aron die Tafeln hin) ARON Israels Bestehn bezeuge den Gedanken des Ewigen! MOSES Ahnst du nun die Allmacht des Gedankens über die Worte und Bilder? ARON Ich verstehe es so dieses Volk soll erhalten bleiben. Aber ein Volk kann nur fühlen. Ich liebe dieses Volk, ich lebe für es und will es erhalten! MOSES Um des Gedankens willen! Ich liebe meinen Gedanken und lebe für ihn! ARON Auch du würdest dies Volk lieben, hättest du gesehn, wie es lebt, wenn es sehen, fühlen, hoffen darf. Kein Volk kann glauben, was es nicht fühlt. MOSES Du erschütterst mich nicht! Es muß den Gedanken erfassen! Es lebt nur deshalb! ARON Ein beklagenswertes, ein Volk von Märtyrern wäre es dann! Kein Volk erfaßt mehr als einen Teil des Bildes, das den faßbaren Teil des Gedankens ausdrückt. So mache dich dem Volk verständlich; auf ihm angemeß’ne Art. MOSES Ich soll den Gedanken verfälschen? ARON Laß mich ihn auflösen! Umschreibend, ohne auszusprechen Verbote, furchterregend, doch befolgbar, sichern das Bestehen; die Notwendigkeit verklärend, Gebote, hart, doch hoffnungserweckend, verankern den Gedanken. Unbewußt wird getan, wie du willst. Menschlich schwankend wirst du dein Volk dann finden, doch liebenswert! MOSES Das will ich nicht erleben! ARON Du mußt leben! Du kannst nicht anders! Du bist an deinen Gedanken gebunden! MOSES Ja, an meinen Gedanken, wie ihn diese Tafeln ausdrücken… ARON Ein Teil des Gedankens sind. MOSES So zertrümmere ich diese Tafeln und will Gott bitten, daß er mich von diesem Amt abberuft. (Er zertrümmert die Tafeln) ARON Kleinmütiger! Du, der du Gottes Wort hast, ob mit, ob ohne Tafeln Ich, dein Mund, bewahre deinen Gedanken, wie immer ich ihn ausspreche. MOSES Durch Bilder! ARON Bilder deines Gedankens sie sind er, wie alles, was aus ihm hervorgeht. Ich beuge mich der Notwendigkeit; denn dieses Volk soll erhalten bleiben, um für den Ewigkeitsgedanken zu zeugen. Meine Bestimmung, es schlechter zu sagen, als ich es verstehe. Wissende jedoch werden ihn immer wiederfinden! CHOR (zieht im Hintergrund vorüber, geführt von einer Feuersäule) Er hat uns auserwählt vor allen Völkern, das Volk des einz'gen Gottes zu sein; ihm allein zu dienen, keines andern Knecht! Er wird uns führen in das Land, wo Milch und Honig fließt, und wir soll'n genießen, was er unsern Vätern verheißen. Allmächt'ger, du bist stärker als Ägyptens Götter! ARON Sieh hin! MOSES Die Feuersäule! ARON Sie führt uns bei Nacht -- Der Allmächtige gibt durch mich dem Volk ein Zeichen. (Es wird im Hintergrund rasch Tag, die Feuersäule verblaßt und verwandelt sich in die Wolkensäule. Der Vordergrund bleibt verhältnismäßig finster) MOSES Die Wolkensäule! ARON Sie führt uns bei Tag. MOSES Götzenbilder! ARON Gottes Zeichen, wie der glühende Dornbusch. Darin zeigt der Ewige nicht sich, aber den Weg zu sich; und den Weg ins gelobte Land! (Aron langsam ab in den Hintergrund) MOSES Unvorstellbarer Gott! Unaussprechlicher, vieldeutiger Gedanke! Läßt du diese Auslegung zu? Darf Aron, mein Mund, dieses Bild machen? So habe ich mir ein Bild gemacht, falsch, wie ein Bild nur sein kann! So bin ich geschlagen! So war alles Wahnsinn, was ich gedacht habe, und kann und darf nicht gesagt werden! O Wort, du Wort, das mir fehlt! (Moses sinkt verzweifelt zu Boden) この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Schönberg,Arnold/Moses und Aron/III
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Loading Message Loading中に出てくる1行ヒント的なメッセージ。結局表示時間が短くて、読めないことがほとんどなわけだが。表示されている種類はこんな感じらしい。 GENERAL Press I to open your inventory. Press K to access your skill tree. Some items grant you skills while equipped. Personal Relocation Devices allow you to visit a station and then return to the battlefield. Items marked with a ? require an Analyzer to identify their properties. Battle Sets are mapped to F1, F2, and F3 and can hold different weapons and skills. You can pick up items by hitting F . Items such as Health Injectors and Powerpacks are consumed when you use them. So, stock up. Armor reduces the amount of damage received by an attack. Shields completely negate damage unless they are penetrated, knocked down, or overloaded. The Nano Forge is used to increase the basic power and level of items. The Augmentrex 3000 is used to add random enhancements to items. The Delux De-Modificator is used to remove mods from weapons. The six types of Mods are Fuel, Batteries, Ammo, Rockets, Techs, and Relics. Mods can only be removed from weapons by using the Delux De-Modificator found in most Stations. Mods of all sorts can be used to make your weapons more specialized or versatile. You can place items in a Storage Depot locker found in most Stations. Some environments have rare locations that you can find. Make sure you explore everywhere. Right-click and hold when selecting an NPC or Item to activate a radial menu with several fast-action options. NAVIGATION Press TAB to open the Mini-map. Press TAB again to expand the map to the center of your display. Press M to view the World Map. A purple question mark (?) on the Mini-map shows the location of a storyline quest. A yellow exclamation point (!) on the Mini-map shows the location of a side mission. A green British pound symbol (￡) on the Mini-map shows the location of a vendor. A red cross (+) on the Mini-map shows the location of a medic or healer. A blue X on the Mini-map shows the location of an open portal, passage or Hellrift. A red X on the Mini-map shows the location of a closed portal, passage or Hellrift. To zoom in on the Mini-map, press the + symbol on the map. STAT FEED ADVICE Higher Strength will allow you to equip heavier armor. Higher Accuracy will allow you to equip more powerful guns. Higher Willpower will allow you to equip more powerful swords. Higher Willpower will allow you to equip more powerful weapon mods. Higher Willpower will allow you to equip more powerful focus items. Higher Stamina will allow you to equip better shields. Higher Willpower will allow you to equip some weapons and armor with more powerful attributes. Higher Stamina will allow you to equip some armor with more powerful attributes. SKILL POINTS STAT POINTS When you gain a level, you receive an additional skill point. You have skill points to spend. Press K to open your skill tree. When you gain a level, you earn 5 points to distribute amongst your attributes. You have attribute points to spend. Press I to open your inventory and attributes screen. SHIFT CONTROL KEYS When moving forward, pressing SHIFT will activate your Sprint skill. You can toggle whether a skill can be activated by SHIFT by checking it in your skill tree. The left side of the Action Bar shows which skill will be activated by SHIFT . The right side of the Action Bar shows which boost will be used by CONTROL . SECONDARY DAMAGE EFFECTS Phased monsters and characters deal half damage and take 50% more damage. When you re poisoned, you can t heal until the toxic effects are gone. "An ignited enemy loses 5% health per second." - Argus HIGH LEVEL CHARACTER ADVICE You should really know what you re doing by now. EVOKER ADVICE The Evoker s spell damage comes from his focus items and not the spells themselves. Almost all Evoker skills require a focus item. "Pick the proper skill for the moment." - Bogi "Two focus items means more damage." - Bogi "Higher damage focus items increase the damage of all Evoker spells." - Bogi Make sure that you use both long and short range spells. "Word of Fear is often your best protection." - Bogi "Use one Battle Set for damage and another for elemental attacks." - Bogi SUMMONER ADVICE "A Demon for every situation. . . choose carefully." - Ragthor Each Elemental that you control reduces your total available power. Meat Shield and Enrage are powerful commands for your Carnagor. "Receive every battle with an army." - Ragthor "When surrounded, use Word of Fear." - Ragthor "Select the perfect moment for the Reaper." - Ragthor "Use Blood Link to keep your minion alive." - Ragthor Pets can be dismissed by clicking on their portrait. BLADEMASTER ADVICE You can only have one Aura active at a time. "Do not lose heart in the heat of battle." - Adiss "Have a set of weapons ready for each opponent." - Adiss "Having more skills gives you more options." - Adiss "Call of the Chosen helps disperse crowds of enemies." - Adiss "Two swords are better than one." - Adiss "Sweeping Strike is very effective for packs of small enemies." - Adiss "Each enemy in your Holy Radius strengthens your Aura." - Adiss "Surges are gained by killing a monster with a surge skill." - Adiss "It is very powerful to have multiple surges." - Adiss GUARDIAN ADVICE "Have faith in your shield. It can stun almost any foe." - George You can only have one Aura active at a time. "If you live longer than your enemy, you win." - George "You can control a battle with patience and a strong shield." - George "Anchor, Challenge and Sword of Reckoning are a deadly combination." - George "Get surrounded - each enemy strengthens your Aura." - George "Spiritual Strength allows you to equip much more powerful armor." - George "Switch auras as you fight - each one has a different purpose." - George MARKSMAN ADVICE "Know when to stand and when to withdraw." - Argus The Tactical Stance, Rapid Fire, and Sniper skills require you to stop moving. Precision Strike and Grenade skills improve as your character gains levels. Use the Escape skill when you re surrounded or overwhelmed. Critical Hits can trigger skills - like Ricochet and Reflected Shot. "Create a Battle Set for close range and another for long range." - Argus "Keep upgrading your weapons." - Argus "Grenades work well with low rate of fire guns." - Argus ENGINEER ADVICE "Metal is cheap. Let them hit the Drone." - Johnny "You can control only two kinds of Bots at once." - Johnny Your Drone can be upgraded with a handgun, rifle, sword, and torso armor. "Drones feel no pain." - Johnny The Drone s armor and weapons are saved with your character. "Watch your Inhibitor Bots, and no one will sneak up on you." - Johnny "Nanobots are quite effective." - Johnny Bots cannot be targeted. SOCIAL Treat others with the respect you would expect from them. Joining groups increases the experience and rewards you earn! Joining a Guild is a great way to always have friends to adventure with. Using all caps when chatting is considered rude because YOU ARE YELLING! You only see the items you can pick up when in a group. If you can t use an item, you can usually sell it, trade it, or dismantle it for scrap. Make sure to put people you know or like playing with on your Buddy List! Press B to access your Buddy List. To add a friend to your Buddy List, just type the name of the character you want to include in the Buddy panel. Now you ll know when they are online! CHAT WINDOW To talk with other players in the game, simply press ` to activate the chat window. To speak privately with a specific player, open the chat window and type /w playername your message To speak to everyone in your immediate vicinity, open the chat window and type /town your message To speak with everyone in your adventuring party, open the chat window and type /p your message Your chat log will fade after a time, but you view it again by pressing the small arrow button located on the top left of your Health orb. MISCELLANEOUS Take everything in moderation, including Hellgate London! It s a good idea to stretch your hands and legs every 15 - 20 minutes. Remember to eat a healthy meal, drink plenty of water, and get enough sleep! If something is frustrating you, fire up some Hellgate London and have fun! Take the time to say something nice to someone today.
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第三幕 ［とある料理屋の特別室。背景左手にアルコーヴ、その中には寝台。アルコーヴはカーテンによって隠すことができ、そのカーテンは引いて開け閉めできる。中央左手には火の焚かれた暖炉。その上に鏡。前景左手には隣の部屋へ続く扉。暖炉の向かいには二人前の準備がされた食卓があり、その上には大きな複枝の燭台。中央背景には廊下に続く扉。その右隣にはカウンター。右手背景には盲窓（壁に描かれた窓）、右手前景には通りに面した窓。蝋燭の入れられた枝形燭台がカウンターの上、暖炉の上および壁沿いに。暖炉の上の燭台の蝋燭が一本ずつだけ燃えている。部屋は薄暗い。］ ［アンニナが喪中の女性に扮して立っている。ヴァルツァッキが彼女のヴェールを整え、服のあちこちを引っ張ってまっすぐにし、後ろに下がって彼女をじっくり眺め、隠しからクレヨンを取り出して彼女の目の周りに塗る。］ ［左手の扉がそろそろと開き、首が覗き、また消え、それから、全く怪しげでないという風ではないが、きちんとした身なりの老婆がするりと入ってきて、音もなく扉を開け、うやうやしくオクタヴィアンを中に入れる。オクタヴィアンは女物の服を着て、ボンネットをかぶり、市民階級の少女のように装っている。］ ［オクタヴィアンが老婆を従えて他の二人の方へ向かうと、ヴァルツァッキはすぐにその姿を認め、作業を中断してオクタヴィアンにお辞儀する。アンニナは直ちには扮装を見破れず、驚きを抑えることができず、それから深く跪く。オクタヴィアンは隠しの中に手を突っ込み（女性ではなく男性のする仕草で、するとフープスカートの下に男性の服をまとい、乗馬用長靴を拍車は付けずに履いているのが見える）、そしてヴァルツァッキに財布を投げて渡す。ヴァルツァッキとアンニナは彼の手に接吻し、アンニナは更にオクタヴィアンの襟元のネッカチーフをまっすぐに直す。］ ［五人の怪しげな風体の男が左手から慎重を期しながら入ってくる。ヴァルツァッキが彼らに合図をして待たせる。彼らは扉のそばに立つ。］ ［時計が半時を告げる。ヴァルツァッキが自分の時計を取り出し、オクタヴィアンにもう行くべき時であると示す。オクタヴィアンは慌ただしく左手に立ち去り、後から老婆が、彼の付き添い役として、付いていく。］ ［アンニナは鏡に向かい（すべて慎重に、音をひとつもたてないように）、再度身なりを整え、それからメモをひっぱり出し、そこに書かれた役割を覚えようとしているようである。］ ［ヴァルツァッキは怪しげな人々を前の方に連れて来つつ、一つ一つの動作ごとに最大限の注意を払う必要性があることを示す。怪しげな人々はつま先だって彼に従って中央に行く。ヴァルツァッキは彼らの一人に付いてくるよう指示する。音を立てないように、決して音を立てないように。彼を右手の壁際まで連れて行くと、食卓から遠くないところにある落とし戸を音なく開け、この男に中に下りていかせ、再び落とし戸を閉める。それから二人に合図して招き寄せ、彼らに先立って入り口の扉の脇まで忍び足で行き、頭を外に突き出し、誰も見ていないことを確かめると、二人を招き寄せ、彼らを外に出て行かせ、それから扉を閉め、残る二人を静かに隣の部屋に続く扉のもとまで連れていき、彼らを扉の後ろに押しこむ。アンニナに合図して招き寄せ、彼女と一緒に静かに左手に退出し、彼の後ろで扉が音なく閉まる。］ ［ヴァルツァッキはもう一度入ってきて、手を叩く。隠れ場所の男が床の上に半身を現す。同時に寝台の上やあちこちに頭が現れる。］ ［ヴァルツァッキの合図で、それらは現れた時と同様に突然見えなくなり、秘密の引き戸が音を立てずに閉まる。ヴァルツァッキは再度時計を見ると、後方に行き、入り口を開ける。それから点火具を引っ張り出すと、熱心に食卓の上の蝋燭に火をともす。］ ［給仕と給仕見習いが、蝋燭を点火するための二本の棒を持って走って来る。暖炉の上の灯り、カウンターの上の灯り、それから壁のたくさんの灯りに火をつける。彼らは入ってくるときに扉を開けっ放しにしているので、控えの間（背景）で舞踏音楽が演奏されているのが聞こえる。］ ［ヴァルツァッキは中央の扉へ急ぎ、恭しく観音開きのもう一方の扉も開き、お辞儀をしながら脇に飛び退く。］ ［オックス男爵が登場。腕には吊り包帯。オクタヴィアンを左手に従え、その更に後ろには小姓。男爵は部屋を点検する。オクタヴィアンは見回し、鏡のもとに走っていき、髪を整える。］ ［男爵は給仕と給仕見習いが更に多くの蝋燭を点そうとしているのに気づき、彼らにそのままにしておくように合図する。しかし彼らは熱心に作業していて気づかない。］ 男爵 ［いらいらして給仕見習いをその乗っている椅子から引きずり下ろし、彼のすぐそばにある火のついた蝋燭のいくつかを手で消す。ヴァルツァッキが男爵にそれとなくアルコーヴ、そしてカーテンの隙間から寝台を示す。］ 宿屋の主人 ［身分の高い客に挨拶をしようと、更に数人の給仕を引き連れてくる］ 他に御命令はございますか、閣下？ 給仕 灯りがもっとおいりでは？ 宿屋の主人 もっと大きなお部屋が？ 給仕 食卓の上にもっと銀食器がおいりでは？ 男爵 ［食卓の上からつかんで広げたナプキンで忙しく手の届く範囲の蝋燭を全て消して回る］ 失せろ！この娘っ子をおかしくさせる気か！ この音楽は何だ？ ［男爵は更に蝋燭を消す］ そんなもの注文してないぞ。 宿屋の主人 もっと近くで聞こえるようにいたしましょうか？そちらの控えの間でターフェルムジークとして！ 男爵 音楽は今あるところにおいておけ。 ［食卓の後ろにある右手背後の窓に気づく］ あれはいったいなんのための窓だ？ 宿屋の主人 単なる盲窓ですよ。 ［お辞儀］ お食事をはじめてよろしいでしょうか？ ［五人の給仕全員が急いで立ち去ろうとする。］ 男爵 まて、そのにたついてる奴らはなんだ？ 給仕 ［扉のもとで］ 給仕を致します、閣下。 男爵 ［身振りで拒絶する］ 誰もいらない。 ［彼らが立ち去らないので、怒りっぽく］ さっさと失せろ！給仕は私の小姓がする。飲み物は自分で注ぐ。わかったか？ ［ヴァルツァッキが彼らに対して黙って閣下の意思を尊重するように合図する。全員、扉の外に押し出す。］ 男爵 ［更に何本か蝋燭を消す。壁の高いところで燃えているものも苦労しながら消す。］ ［ヴァルツァッキへ］ 君は有能だね。君の助けで勘定を抑えることができたら、君にとっても儲けが出るぞ。ここはきっと馬鹿高いからな。 ［ヴァルツァッキはお辞儀をしながら退場。］ ［オクタヴィアンはすでに支度を終えている。男爵は彼を食卓に導き、ふたりとも座る。カウンターの前にいる小姓が、密会がどうなるのか好奇心をむき出しにして眺め、カウンターからワインのカラフェをいくつか食卓の上に運ぶ。］ ［男爵が注ぐ。］ ［オクタヴィアンがちょっと飲む。］ ［男爵はオクタヴィアンの手に接吻する。］ ［オクタヴィアンは手を引っ込める。］ ［男爵は小姓に出ていくように合図する。何度も合図を繰り返すと、ようやく小姓は出て行く。］ オクタヴィアン ［自分のグラスを押し戻しながら］ だめだめ、だめだめ！ワインは飲みません。 男爵 なんだって、嬢ちゃん、どうして？おばかさんしないで。 オクタヴィアン だめだめ、だめだめ、ここにはおられません。 ［飛び上がり、立ち去りたいような素振りを見せる］ 男爵 ［左手で彼女を捕まえる］ 君を見てると興奮しちゃうよ。 オクタヴィアン 何を考えているのかもうわかりました！ああ、なんて悪い殿様！ 男爵 ［大声で］ なんとまあ！私の守護聖人に誓うよ。 オクタヴィアン ［ひどく怯えて走り出し、間違えた風にして、出口のかわりにアルコーヴに向かい、カーテンを引き開けて、寝台を発見する。］ イエス様、マリア様、中に寝台がある、すんげえどでかいやつが。 ［オクタヴィアンは過度に驚いた状態になり、すっかり狼狽してつま先立ちで戻ってくる。］ いったいぜんたい、誰があそこに寝るの？ 男爵 ［彼を食卓へ連れ戻す］ それはそのうちわかるからね。今はいらっしゃい。ちゃんと座ってね。すぐに誰かが食べ物を持ってくるからね。お腹はすいていない？ ［男爵は彼女の腰のまわりに手を回す］ オクタヴィアン ［思い焦がれるような目線を男爵へ投げかける］ ああ悲しい！あなたがお婿さんだなんて！ ［彼を押しやりながら］ 男爵 ああ、そのつまらない話はともかくおいておこう！だって君の前にいるのはカヴァリエであって、せっけん屋なんかじゃないんだよ。カヴァリエは自分に似つかわしくないものはすべて、あっちの外、扉の前においてくるものなのだ。ここに座っているのは婿でもなければ小間使いでもない。ここにいるのは恋をしている男がその世にも美しい恋人と晩餐をとらんとしているのだよ。 ［彼を引き寄せる］ オクタヴィアン ［なまめかしく安楽椅子にもたれかかり、目を半開きにする］ 男爵 ［立ち上がる。一回目の接吻の機会がやってきたようだ。彼の顔が相手の顔の間際に近づくと、突然オクタヴィアンと似ているということが頭をよぎる。後ろに飛びのき、無意識に傷ついた腕に手を伸ばす。］ 同じ顔だ！いまいましい小僧め！起きている時も夢のなかにもついてきやがる！ オクタヴィアン ［目を開き、彼を大胆かつなまめかしく見つめる］ なんのことを言ってるの？ 男爵 あんたがある奴に似て見えるんだ、ある忌まわしい奴にね！ オクタヴィアン まさか！そんなこと聞いたこともねえ！ 男爵 ［もう一度相手が小間使いであることを確認し、なんとか微笑みを作るが、ショックが体から完全には抜けきっていない。空気を吸わなければならず、接吻はお預けのままとなる。］ ［落とし戸の下にいる男が早まって扉を開け、姿を現す。］ オクタヴィアン ［彼と向い合う位置に座るオクタヴィアンは、隠れるように一生懸命合図を送り、男はすぐに身を隠す。］ 男爵 ［不愉快な気持ちを振り払おうとしていた男爵は、二三歩動き、背後から彼女を抱きしめて口づけしようとするが、ちょうどその時、件の男を目にする。度肝を抜かれ、そちらを指す。］ オクタヴィアン ［何をしているのかわからない風を装って］ どうなさったの？ 男爵 ［人影が消えた箇所を指す］ あれはいったいなんだったんだ？あれを見なかったかい？ オクタヴィアン あそこにはなあんもないよ！ 男爵 あそこにはなにもない？ ［再び彼の顔を不安そうにじろじろと見る］ そうか？そしてここにもなにもない？ ［彼の顔の上を手で撫でる］ オクタヴィアン これは私の顔よ。 男爵 ［深く息を吐き、ワインを一杯注ぐ。］ これは君の顔…そしてあそこにはなにもない…私はどうやらうっ血しているようだ。 ［どっさりと座り、不安な様子を見せる］ ［扉が開き、外からまた音楽が聞こえてくる。小姓が来て給仕する。］ オクタヴィアン ［とても柔和に］ なんてきれいな音楽！ 男爵 ［再び大声で］ 私のお気に入りの曲だよ、知っているのかい？ オクタヴィアン ［音楽に耳を澄ます］ 泣けてくるわ。 男爵 なんだって？ オクタヴィアン あんまりきれいなんだもの。 男爵 なんだって？泣ける？悪くないよ。音楽が血の中に入ってくれば、すごく楽しくなるはずさ。 ［感傷的に］ さあ感じてきた ［男爵は小姓に席をはずすように合図する。小姓はぐずぐずしながら扉から出ていく。］ 最後には、ここに感じるよ、君は私に望むことをなんでも自由にできるということを。望む限りのことを私から。 ［小姓がもう一度扉を開け、むき出しの好奇心で中を覗き、男爵の再度の激しい合図でようやく完全に姿を消す］ オクタヴィアン ［後ろに寄りかかり、独り言を言うように、極端に悲しみにくれて］ どっちみち同じなのよ、どっちみち同じなのよ、心がどんなに強く求めたって、 ［この間、男爵は彼の手をつかむ］ 結局すべて無駄なのだわ。 男爵 ［手が離れるのに任せる］ えい、なんでだい？十分にとてもやりがいのあることだよ。 ［オクタヴィアンは男爵に思い焦がれるような眼差しを投げかける］ オクタヴィアン ［継続して憂鬱そうに］ 時が過ぎ去り、風が吹き去るように、あたしたちもすぐにふたりとも消え去ってしまうの。人は実際 ［男爵に思い焦がれるような眼差しを向け］ まったく無力なのだから。誰もあたしたちが死んでも泣きもしないわ、あなたのためにも、あたしのためにも。 男爵 ワインを飲むといつもこうなるのかい？それは服が君の胸を締め付けてるからに違いないよ。 オクタヴィアン ［目を閉じて返事をしない。］ 男爵 ［立ち上がり胴衣の紐を解こうとする。］ 私も少し楽にしよう、 ちょっと暑いしな。 ［すぐに決然とかつらを外し、置いておく場所を探す。そうするうちにアルコーヴの中に顔が一つ現れ、こちらをじっと見つめているのに気づく。顔はすぐにまた消える。男爵は「うっ血だ」と自分に言い聞かせ、恐怖を振り払うが、額の汗を拭わずにはいられない。小間使いをもう一度見ると、手足をだらんとしてじっと座り、人の言いなりにならんとしている。これほどよいことはない。彼はそっと彼女に近づくが、すると再びオクタヴィアンの顔が彼自身の顔のすぐそばにあることに気づき、再び飛び退く。マリアンデルはほとんど動かない。男爵は再び恐怖を払いのけ、無理やり快活そうな表情を取り戻すが、再び異様な姿の頭が一つ、壁からこちらを見つめているのが目に留まる。今や極度の恐怖に駆られ、彼ははっきりとしない叫び声をあげ、卓上の呼び鈴を取り上げ、激しく振り鳴らす。］ あそこにもあそこにもあそこにもあそこにも…… ［盲窓と思われていた窓が突然開く。黒い喪服に身を包んだアンニナが現れ、腕を付き出して男爵を指す。］ 男爵 ［恐怖で我を忘れて］ あそこにもあそこにもあそこにも、あそこ、あそこ、あそこ！ ［自分の背後を守ろうとする］ アンニナ あれが彼です！あれが私の夫です！あれです、あれです！ ［消える］ 男爵 ［不安でいっぱいになって］ あれはなんだ？ オクタヴィアン この部屋は魔法にかけられてるわ！ ［十字を切る］ アンニナ ［アンニナ、次いで策士（ヴァルツァッキ）が彼女を抑えようとしているふりをしながら、次いで宿屋の主人と三人の給仕が、中央の扉から勢いよく入ってくる。アンニナはボヘミア地方のドイツ語のアクセントを操りつつ、教育のある話し方をする。］ あれが私の夫です！彼は私だけのものです。神が私の証人です、あなた方が私の証人です！裁きを！お上よ！女帝により彼は私の元へ戻されるべきなのです！ 男爵 ［宿屋の主人へ］ この女は私に何を求めているのかね、ご主人？あそこの人は何を求めてるのかね？あいつとあいつとあいつは？ ［あらゆる方向を指差す］ あんたのとこの神に呪われた特別室には悪魔が出入りしているようだ！ アンニナ 私を否認するつもりなんだわ、ああ！私のことなんて何も知らない振りをするんだわ！ 男爵 ［頭に冷たい湿布を載せ、左手でそれをしっかり押さえながら、給仕のすぐそばに行き、それから主人、最後にアンニナのそばに行き、非常に厳しい目で彼らをじろじろと見て、彼らの実体を明らかにしようとする。］ 生きている！ ［湿布を投げ捨てる。とてもはっきりと］ 私は、神に誓って、この女を見たこともない！ ［宿屋の主人へ］ 私の前を片付けて、給仕を終えなさい！あんたの酒場には金輪際来ないぞ！ アンニナ ［初めてその場にオクタヴィアンがいることに気付いた風に］ ああ！私が聞いたことは本当だったのね。あなたが再び結婚すると言うのは。卑劣な人、二人目の無垢な女の子と。私もまさにそうだったわ。 宿屋の主人と3人の給仕 ［驚く］ おお！おお！閣下！ 男爵 私は担がれているのか？なんてこった！ ［左手で隣に立っているヴァルツァッキを激しく揺さぶる］ 私はフォン・レルヒェナウ男爵だよな、違うのか？私は私なのか？ ［素早く灯りを指さす］ あれは蝋燭か？ ［ナプキンを空中で振り回す］ これはナプキンか？ アンニナ そうそう、あなたがそう。そしてあなたがそうであるのと同様に、私もそうなの。そしてあなたは私がはっきりと分かるでしょう、レオポルト、レオポルト、よく考えてみて。アントーン・フォン・レルヒェナウ、あちらの上にまします神がおまえの立場を正してくださいます… ［初めは激しい驚きのあまり、言葉に詰まってしまうが、すぐに落ち着く。］ 男爵 ［取り乱してアンニナを見つめる］ どうも見たことあるようだぞ。 ［再びオクタヴィアンを見る］ 誰もが2つ顔を持っているようだ！ 宿屋の主人 かわいそうな奥様、かわいそうな男爵夫人！ 4人の子供 ［10歳から4歳の間。慌てて飛び込んできて男爵に駆け寄る。］ パパ、パパ、パパ！パパ！パパ！パパ！ アンニナ あなたの血を引く者の声をお聞きなさい！子供たち、あの人に手を差し伸べなさい！ 給仕 かわいそうな男爵夫人！ 男爵 ［怒り狂ってナプキンを卓上からもぎとり、それで子供たちを打つ。主人へ］ 私の前から彼らをどけなさい、あいつも、そいつも、そいつも、そいつも！ ［あらゆる方角を指す］ オクタヴィアン ［ヴァルツァッキへ］ ファニナルを呼びにすでに誰か行っているのか？ ヴァルツァッキ ［静かに］ 始まってすぐに。すぐにこの場に来るはずです。 宿屋の主人 ［男爵の背後で］ お許しを、あまり遠くまで行かれないほうが。あまりよろしくない結果にあわれかねませんぞ。ひどく悪いことにも！ 男爵 なに？あそこのあの調度のせいで痛い目にあうと？触ってもないぞ、火箸ですら触ってない。 アンニナ ［大声で叫ぶ］ 宿屋の主人 重婚はまったくもってお遊びじゃありません、重大犯罪ですぞ。 ヴァルツァッキ ［男爵へ、静かに］ 閣下に慎重になられるようご忠告申し上げます。風紀警察はあまり寛大ではありませんから。 男爵 重婚？風紀警察？ ［子供たちの声色をまねて］ パパ、パパ！ ［絶望したかのように頭を抱え、それから怒り狂って］ この葬式行列を叩き出せ！誰だと？なんだと？追い出さない？何？警察だ！この無礼者は呼びたくないとな？このならず者どもはみんなぐるなのか？ここはフランスなのか？ここはクルツ（ハンガリーの反乱兵）の支配下なのか？それとも帝国の首都なのか？ ［道に面した窓を開ける］ 警察！こっちだ、警察！ここの秩序を正してくれ、身分ある者が助けを必要としているんだ。 ［道から警察を呼ぶ大きな呼び声が聞こえてくる］ 宿屋の主人 ［嘆いて］ 私の評判の宿が！私の宿でこんなことがあろうとは！ 4人の子供 ［わめいて］ パパ、パパ、パパ！ DRITTER AUFZUG Ein Extrazimmer in einem Gasthaus. Im Hintergrunde links ein Alkoven, darin ein Bett. Der Alkoven durch einen Vorhang verschließbar, der sich auf- und zuziehen läßt. Mitte links ein Kamin mit Feuer darin. Darüber ein Spiegel. Vorn links Tür ins Nebenzimmer. Gegenüber dem Kamin steht ein für zwei Personen gedeckter Tisch, auf diesem ein großer, vielarmiger Leuchter. In der Mitte rückwärts Tür auf den Korridor. Daneben rechts ein Buffet. Rechts rückwärts ein blindes Fenster, vorn rechts ein Fenster auf die Gaße. Armleuchter mit Kerzen auf dem Buffet, auf dem Kamin, sowie an den Wänden. Es brennt nur je eine Kerze in den Leuchtern auf dem Kamin. Das Zimmer halbdunkel. Annina steht da, als Dame in Trauer gekleidet. Valzacchi richtet ihr den Schleier, zupft da und dort das Kleid zurecht, tritt zurück, mustert sie, zieht einen Craon aus der Tasche, untermalt ihr die Augen. Die Tür links wird vorsichtig geöffnet, ein Kopf erscheint, verschwindet wieder,-- dann kommt eine nicht ganz unbedenklich außehende, aber ehrbar gekleidete Alte hereingeschlüpft, öffnet lautlos die Tür und läßt respektvoll Octavian eintreten, in Frauenkleidern, mit einem Häubchen, wie es die Bürgermädchen tragen. Octavian, hinter ihm die Alte, gehen auf die beiden anderen zu, werden sogleich von Valzacchi bemerkt, der in seiner Arbeit innehält und sich vor Octavian verneigt. Annina erkennt nicht sofort den Verkleideten, sie kann sich vor Staunen nicht faßen, knickst dann tief. Octavian greift in die Tasche, (nicht wie eine Dame, sondern wie ein Herr, und man sieht, daß er unter dem Reifrock Männerkleider und Reitstiefel anhat, aber ohne Sporen) und wirft Valzacchi eine Börse zu. Valzacchi und Annina küßen ihm die Hände, Annina richtet noch an Octavians Brusttuch. Es treten auf fünf verdächtige Herren unter Vorsichtsmaßregeln von links. Valzacchi bedeutet sie mit einem Wink, zu warten. Sie stehen nahe der Tür. Eine Uhr schlägt halb. Valzacchi zieht seine Uhr, zeigt Octavian es ist hohe Zeit. Octavian geht eilig links ab, gefolgt von der Alten, die als seine Begleiterin fungiert. Annina geht zum Spiegel (alles mit Vorsicht, jedes Geräusch vermeidend), arrangiert sich noch, zieht dann einen Zettel hervor, woraus sie ihre Rolle zu lernen scheint. Valzacchi nimmt die Verdächtigen nach vorn, indem er mit jeder Gebärde die Notwendigkeit höchster Vorsicht andeutet. Die Verdächtigen folgen ihm auf den Zehen nach der Mitte. Er bedeutet ihrer einem, ihm zu folgen lautlos, ganz lautlos. Führt ihn an die Wand rechts, öffnet lautlos eine Falltür unfern des gedeckten Tisches, läßt den Mann hinabsteigen, schließt wieder die Falltür. Dann winkt er zwei zu sich, schleicht ihnen voraus bis an die Eingangstür, steckt den Kopf heraus, vergewißert sich, daß niemand zusieht, winkt die zwei zu sich, läßt sie dort hinaus, dann schließt er die Tür, führt die beiden letzten leise an die Türe zum Nebenzimmer voran, schiebt sie hinaus. Winkt Annina zu sich, geht mit ihr leise links ab, die Tür lautlos hinter sich schließend. Er kommt wieder herein, klatscht in die Hände. Der eine Versteckte hebt sich mit halbem Leib aus dem Boden hervor. Zugleich erscheinen über dem Bett und an andern Stellen Köpfe. Auf Valzacchis Wink verschwinden dieselben ebenso plötzlich, die geheimen Schiebetüren schließen sich ohne Geräusch. Valzacchi sieht abermals nach der Uhr, geht nach rückwärts, öffnet die Eingangstür. Dann zieht er ein Feuerzeug hervor und beginnt eifrig, die Kerzen auf dem Tisch anzuzünden. Ein Kellner und ein Kellnerjunge kommen gelaufen mit zwei Stöcken zum Kerzen anzünden. Entzünden die Lichter auf dem Kamin, auf dem Buffet, dann die zahlreichen Wandarme. Sie haben die Tür hinter sich offen gelaßen, man hört aus dem Vorsaal (im Hintergrunde) Tanzmusik spielen. Valzacchi eilt zur Mitteltür, öffnet dienstbeflißen auch den zweiten Flügel, springt unter Verneigung zur Seite. Baron Ochs erscheint, den Arm in der Schlinge, Octavian an der Linken führend, hinter ihm der Leiblakai. Baron mustert den Raum. Octavian sieht herum, läuft an den Spiegel, richtet sein Haar. Baron bemerkt den Kellner und Kellnerjungen, die noch mehr Kerzen anzünden wollen, winkt ihnen, sie sollten es sein laßen. In ihrem Eifer bemerken sie es nicht. BARON ungeduldig, reißt den Kellnerjungen vom Stuhl, auf den er gestiegen war, löscht einige ihm zunächst brennende Kerzen mit der Hand aus. Valzacchi zeigt dem Baron diskret den Alkoven, und durch eine Spalte des Vorhanges das Bett. WIRT mit noch mehreren Kellnern eilt herbei, den vornehmen Gast zu begrüßen. Hab’n Euer Gnaden noch weitre Befehle? KELLNER Befehl’n mehr Lichter? WIRT Ein größeres Zimmer? KELLNER Befehl’n mehr Silber auf dem Tisch? BARON eifrig beschäftigt mit einer Serviette, die er vom Tisch genommen und entfaltet hat, alle ihm erreichbaren Kerzen auszulöschen. Verschwindt’s! Macht mir das Madel net verruckt! Was will die Musi? Baron löscht weitere Kerzen aus Hab’ sie nicht bestellt. WIRT Schaffen vielleicht, daß man sie näher hört? Im Vorsaal da als Tafelmusi! BARON Laß Er die Musi, wo sie ist. bemerkt das Fenster rechts rückwärts im Rücken des gedeckten Tisches. Was ist das für ein Fenster da? WIRT Ein blindes Fenster nur. verneigt sich Darf aufgetragen werd’n? Alle fünf Kellner wollen abeilen. BARON Halt, was woll’n die Maikäfer da? KELLNER an der Tür Servier’n, Euer Gnaden. BARON winkt ab Brauch Niemand nicht. als sie nicht gehen, heftig Packt’s Euch! Servieren wird mein Kammerdiener da einschenken tu ich selber. Versteht Er? Valzacchi bedeutet sie, den Willen Seiner Gnaden wortlos zu respektieren. Schiebt alle zur Tür hinaus. BARON löscht auf’s neue eine Anzahl Kerzen aus, darunter mit einiger Mühe die hoch an der Wand brennenden. zu Valzacchi Er ist ein braver Kerl. Wenn Er mir hilft, die Rechnung runterdrucken, dann fallt was ab für Ihn. Kost’ sicher hier ein Martergeld. Valzacchi unter Verneigung ab. Octavian ist nun fertig. Baron führt ihn zu Tisch, sie setzen sich. Der Lakai am Buffet sieht mit unverschämter Neugierde der Entwicklung des tête à tête entgegen, stellt Karaffen mit Wein vom Buffet auf den Eßtisch. Baron schenkt ein. Octavian nippt. Baron küßt Octavian die Hand. Octavian entzieht ihm die Hand. Baron winkt den Lakaien abzugehen; muß es mehrmals wiederholen, bis die Lakaien endlich gehen. OCTAVIAN schiebt sein Glas zurück Nein, nein, nein, nein! I trink kein Wein. BARON Geh, Herzerl, Was denn? Mach doch keine Faxen. OCTAVIAN Nein, nein, nein, nein, i bleib net da. springt auf, tut, als ob er fort wollte BARON packt sie mit seiner Linken Sie macht mich deschparat. OCTAVIAN Ich weiß schon, was Sie glaub’n! Oh, Sie schlimmer Herr! BARON sehr laut Saperdipix! Ich schwör bei meinem Schutzpatron. OCTAVIAN tut sehr erschrocken, läuft, als ob er sich irrte, statt zur Ausgangstür gegen den Alkoven, reißt den Vorhang auseinander, erblickt das Bett. Jesus Maria, steht a Bett drin, a mordsmäßig großes. Octavian gerät in übermäßiges Staunen, kommt ganz betroffen auf den Zehen zurück. Ja mei, wer schlaft denn da? BARON führt ihn zurück an den Tisch Das wird Sie schon sehn. Jetzt komm Sie. Setz’ Sie sich schön. Kommt gleich wer mit’n Eßen. Hat Sie denn keinen Hunger nicht? Baron legt ihr die Hand um die Taille OCTAVIAN wirft dem Baron schmachtende Blicke zu O weh! wo Sie doch ein Bräutgam tun sein! wehrt ihn ab BARON Ach, laß Sie schon einmal das fade Wort! Sie hat doch einen Kavalier vor sich und keinen Seifensieder ein Kavalier läßt alles, was ihm nicht konveniert, da draußen vor der Tür. Hier sitzt kein Bräutigam und keine Kammerjungfer nicht hier sitzt mit seiner Allerschönsten ein Verliebter beim Souper. zieht ihn an sich OCTAVIAN lehnt sich kokett in den Sessel zurück, mit halbgeschlossenen Augen. BARON erhebt sich, der Moment für den ersten Kuß scheint ihm gekommen. Wie sein Gesicht dem der Partnerin ganz nahe ist, durchzuckt ihn jäh die Ähnlichkeit mit Octavian. Er fährt zurück und greift unwillkürlich nach dem verwundeten Arm. Ist ein Gesicht! Verfluchter Bub! Verfolgt mich also wacher und im Traum! OCTAVIAN öffnet die Augen und blickt ihn frech und kokett an Was meint Er denn? BARON Siehst einem ähnlich, einem gottverfluchten Kerl! OCTAVIAN Ach geh! Das hab’ i no net g’hört! BARON nun wieder versichert, daß es die Zofe ist, zwingt sich zu einem Lächeln, aber der Schreck ist ihm nicht ganz aus den Gliedern. Er muß Luft schöpfen, und der Kuß bleibt aufgeschoben. Der Mann unter der Falltür öffnet zu früh und kommt zum Vorschein. OCTAVIAN der ihm gegenübersitzt, winkt ihm eifrig, zu verschwinden, der Mann verschwindet sofort. BARON Baron, der, um den unangenehmen Eindruck von sich abzuschütteln, ein paar Schritte getan hat und sie von rückwärts umschlingen und küssen will, sieht grade noch den Mann. Er erschrickt heftig, zeigt hin. OCTAVIAN als verstünde er nicht Was ist mit Ihm? BARON auf die Stelle deutend, wo die Erscheinung verschwunden ist. Was war denn das? Hat Sie den nicht gesehn? OCTAVIAN Da is ja nix! BARON Da is nix? nun wieder ihr Gesicht angstvoll musternd. So? Und da is auch nix? fährt mit der Hand über ihr Gesicht OCTAVIAN Da is mei G’sicht. BARON atmet schwer, schenkt sich ein Glas Wein ein. Da is Ihr G’sicht - und da is nix - mir scheint, ich hab die Congestion. setzt sich schwer, es ist ihm ängstlich zu Mute. Die Tür geht auf, man hört draußen wieder die Musik. Der Lakai kommt und serviert. OCTAVIAN sehr weich Die schöne Musi! BARON wieder sehr laut Is mei Leiblied, weiß Sie das? OCTAVIAN horcht auf die Musik Da muß ma weinen. BARON Was? OCTAVIAN Weil’s gar so schön is. BARON Was? weinen? Wär nicht schlecht. Kreuzlustig muß Sie sein, die Musi geht in’s Blut. sentimental G’spürt Sie’s jetzt Baron winkt dem Lakaien, abzugehen. Der Lakai geht zögernd ab. auf die letzt, g’spürt Sie’s dahier, daß Sie aus mir machen kann alles frei was Sie nur will. Aus mir was Sie nur will. Der Lakai öffnet nochmals die Tür, schaut mit frecher Neugierde herein und verschwindet erst auf einen neuen heftigen Wink des Barons gänzlich. OCTAVIAN zurückgelehnt, wie zu sich selbst sprechend, mit unmäßiger Traurigkeit Es is ja eh als eins, es is ja eh als eins, was ein Herz noch so gach begehrt, indeß der Baron ihre Hand faßt geh es is ja all’s net drumi wert. BARON läßt ihre Hand fahren Ei wie denn? Is sehr wohl der Müh’ wert. Octavian wirft dem Baron schmachtende Blicke zu. OCTAVIAN immer gleich melancholisch Wie die Stund’ hingeht, wie der Wind verweht, so sind wir bald alle zwei dahin. Menschen sin’ ma halt, schmachtender Blick nach dem Baron richtn’s nicht mit G’walt. Weint uns niemand nach, net Dir net und net mir. BARON Macht Sie der Wein leicht immer so? Is ganz g’wiß Ihr Mieder, das auf’s Herzerl Ihr druckt. OCTAVIAN mit geschlossenen Augen, gibt keine Antwort. BARON steht auf und will ihr das Mieder aufschnüren. Jetzt wird’s frei mir a bisserl heiß. Schnell entschlossen nimmt er seine Perücke ab und sucht sich einen Platz, sie abzulegen. Indem erblickt er ein Gesicht, das sich wieder im Alkoven zeigt und ihn anstarrt. Das Gesicht verschwindet gleich wieder. Er sagt sich Congestionen und verscheucht den Schrecken, muß sich aber doch die Stirne abwischen. Sieht nun wieder die Zofe, willenlos wie mit gelösten Gliedern dasitzen. Das ist stärker als alles und er nähert sich ihr zärtlich, da meint er wieder das Gesicht Octavians ganz nahe dem seinigen zu erkennen und er fährt abermals zurück. Mariandl rührt sich kaum. Abermals verscheucht der Baron sich den Schreck, zwingt Munterkeit in sein Gesicht zurück, da fällt sein Auge abermals auf einen fremden Kopf, welcher aus der Wand hervorstarrt. Nun ist er maßlos geängstigt, er schreit dumpf auf, ergreift die Tischglocke und schwingt sie wie rasend. Da und da und da und da.... Plötzlich springt das angeblich blinde Fenster auf. Annina in schwarzer Trauerkleidung erscheint und zeigt mit ausgestreckten Armen auf den Baron. BARON außer sich vor Angst Da und da und da und da, da, da! sucht sich den Rücken zu decken ANNINA Er ist es! Es ist mein Mann! Er ist’s, er ist’s. verschwindet BARON angstvoll Was ist denn das? OCTAVIAN Das Zimmer ist verhext! schlägt ein Kreuz ANNINA gefolgt von dem Intriganten, der sie scheinbar abzuhalten sucht, vom Wirt und drei Kellnern, stürzt zur Mitteltür herein. Sie bedient sich des böhmisch deutschen Akzents, aber gebildeter Sprechweise. Es ist mein Mann! Ich leg’ Beschlag auf ihn. Gott ist mein Zeuge, Sie sind meine Zeugen! Gericht! Hohe Obrigkeit! Die Kaiserin muß ihn mir wieder geben! BARON zum Wirt Was will das Weibsbild da von mir, Herr Wirt? Was will der dort und der und der und der? zeigt nach allen Richtungen Der Teufel frequentier sein gottverfluchtes Extrazimmer! ANNINA Er wagt, mich zu verleugnen, ah! Tut, als ob er mich nicht täte kennen! BARON hat sich eine kalte Kompresse auf den Kopf gelegt, hält sie mit der Linken fest, geht dann dicht auf die Kellner, den Wirt, zuletzt auf Annina zu, mustert sie ganz scharf, um sich über ihre Realität klar zu werden. Ist auch lebendig! wirft die Kompresse weg. sehr bestimmt Ich hab’, wahrhaftigen Gott, das Möbel nie gesehn! zum Wirt Debarassier Er mich und laß Er fortserviern! I hab’ sein Beisl heut zum letzten Mal betreten! ANNINA als entdeckte sie jetzt erst die Gegenwart Octavians Ah! es ist wahr, was mir berichtet wurde, Er will ein zweites Mal heiraten, der Infame, ein zweites unschuldiges Mädchen, so wie ich es war. WIRT und Die 3 KELLNER erschrocken Oh! Oh! Euer Gnaden! BARON Bin ich in einem Narrnturm? Kreuzelement! schüttelt kräftig mit der Linken Valzacchi, der ihm am nächsten steht Bin ich der Baron von Lerchenau, oder bin ich es nicht? Bin ich bei mir? fährt mit dem Finger ins Licht Is das ein Kerz’l, schlägt mit der Serviette durch die Luft is das ein Serviett’l? ANNINA Ja, ja, du bist es, und so wahr als du es bist, bin ich es auch, und du erkennst mich wohl,Leupold, Leupold, bedenk Anton von Lerchenau, dort oben richtet dich ein Höherer.... erschrickt zuerst heftig, daß sie in ihrer Anrede unterbrochen wird, faßt sich aber schnell BARON starrt Annina fassungslos an Kommt mir bekannt vor. sieht wieder auf Octavian Hab’n doppelte Gesichter alle mit einander! WIRT Die arme Frau, die arme Frau Baronin! VIER KINDER zwischen zehn und vier Jahren. stürzen zu früh herein und auf den Baron zu Papa, Papa, Papa! Papa! Papa! Papa! ANNINA Hörst du die Stimme deines Blutes! Kinder, hebt die Hände auf zu ihm! KELLNER Die arme Frau Baronin! BARON schlägt wütend mit einer Serviette, die er vom Tisch reißt, nach ihnen. zum Wirt Debarassier Er mich von denen da, von der, von dem, von dem, von dem! zeigt nach allen Richtungen. OCTAVIAN zu Valzacchi Ist gleich wer fort, den Faninal zu holen? VALZACCHI leise Sogleich im Anfang. Wird sogleich zur Stelle sein. WIRT im Rücken des Barons Halten zu Gnaden, gehn nit zu weit, könnten recht böse Folgen g’spürn. Bitterböse! BARON Was? Ich was g’spürn von dem Möbel da? Hab’s nie nicht ang’rührt, nicht mit der Feuerzang. ANNINA schreit laut auf WIRT Die Bigamie ist halt kein G’spaß, is ein Kapitalverbrechen. VALZACCHI zum Baron; leise Ik rat Euer Gnaden, sein vorsiktig. Die Sittenpolizei sein gar nit tolerant. BARON Die Bigamie? Die Sittenpolizei? Die Stimme der Kinder nachahmend Papa, Papa! greift sich wie verloren an den Kopf, dann wütend Schmeiß Er hinaus das Trauerpferd! Wer? Was? Er will nicht? Was? Polizei! Die Lack’ln wollen nicht? Spielt das Gelichter leicht All’s unter einem Leder? Sein wir in Frankreich? Sein wir unter Kurutzen? Oder in kaiserlicher Hauptstadt? er reißt das Gassenfenster auf Polizei! Herauf da, Polizei! Gilt Ordnung herzustellen und einer Standsperson zu Hilf zu eilen. Man hört auf der Straße laute Rufe nach der Polizei WIRT jammernd Mein renommiertes Haus! Daß muß mein Haus erleben! VIER KINDER plärrend Papa, Papa, Papa! この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@mmnakai Strauss,Richard/Der Rosenkavalier/III-2
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Aerodynamic Heating and Thermal Protection Systems Amer Inst of Aeronautics &? L. S. Fletcher? AmerInstofAeronautics&? L.S.Fletcher? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Heat Transfer and Thermal Control System Amer Inst of Aeronautics &? Fletcher? AmerInstofAeronautics&? Fletcher? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Thermophysics and Thermal Control Paas65 Amer Inst of Aeronautics &? Raymond Viskanta? AmerInstofAeronautics&? RaymondViskanta? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Interior Ballistics of Guns (Progress in Astronautics and Aeronautics Vol 66) Amer Inst of Aeronautics &? Herman Krier? Martin Summerfield? AmerInstofAeronautics&? HermanKrier? MartinSummerfield? ジャンル別? 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Aiaa Aerospace Sciences Meeting 1980 (Los Angeles? A. L. Crosbie? Colo.) Aiaa Thermophysics Conference 1980 (Snowmass? American Institute of Aeronautics and Astronautics? A. L. Cosbie? AmerInstofAeronautics&? Calif.)AiaaAerospaceSciencesMeeting1980(LosAngeles? A.L.Crosbie? Colo.)AiaaThermophysicsConference1980(Snowmass? AmericanInstituteofAeronauticsandAstronautics? A.L.Cosbie? ジャンル別? Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Electric Propulsion and Its Applications to Space Missions, Paas79 Technical Papers from the Aiaa/Dglr International Electric Propulsion Conference, Princeton, New Jersey, October 30-November 1, 1979 (Progress in Astronautics and Aeronautics, V. 79) Amer Inst of Aeronautics &? AIAA? N. J.) DGLR International Electric Propulsion Conference (1979 Princeton? Robert C. Finke? American Institute of Aeronautics and Astronautics? Deutsche Gesellschaft Fur Luft- Und Raumfahrt? AmerInstofAeronautics&? AIAA? N.J.)DGLRInternationalElectricPropulsionConference(1979 Princeton? RobertC.Finke? AmericanInstituteofAeronauticsandAstronautics? DeutscheGesellschaftFurLuft-UndRaumfahrt? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Aeronautics in China Amer Inst of Aeronautics &? Jerry Grey? AmerInstofAeronautics&? JerryGrey? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Aerospace-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Aerospace-General? Transonic Aerodynamics, Paas81 Technical Papers Selected from the Transonic Perspective Symposium, Moffett Field, California, February 18-20, 1981 (Progress in Astronautics and Aeronautics, V. 81) Amer Inst of Aeronautics &? Calif.) Transonic Perspective Symposium (1981 Moffett Field? David Nixon? Ames Research Center Aerodynamics Research Branch? United States Office of Naval Research Fluid Dynamics Branch? AmerInstofAeronautics&? Calif.)TransonicPerspectiveSymposium(1981MoffettField? DavidNixon? AmesResearchCenterAerodynamicsResearchBranch? UnitedStatesOfficeofNavalResearchFluidDynamicsBranch? ジャンル別? Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Professional&Technical-Engineering-General Thermophysics of Atmospheric Entry Paas82 Amer Inst of Aeronautics &? T. E. Horton? AmerInstofAeronautics&? T.E.Horton? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Spacecraft Radiative Transfer and Temperature Control Paas83 Amer Inst of Aeronautics &? T. E. Horton? AmerInstofAeronautics&? T.E.Horton? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Liquid-Metal Flows and Magnetohydrodynamics The Third International Seminar in the Mhd Flows and Turbulence Series (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Beer-Sheva International Seminar on Magnetohydrodynamic Flows and Turbulence (3rd 1981 Ben-Gurion University of the Negev)? P. S. Lykoudis? A. Yakhot? American Institute of Aeronautics and Astronautics? Herman Branover? AmerInstofAeronautics&? Beer-ShevaInternationalSeminaronMagnetohydrodynamicFlowsandTurbulence(3rd 1981 Ben-GurionUniversityoftheNegev)? P.S.Lykoudis? A.Yakhot? AmericanInstituteofAeronauticsandAstronautics? HermanBranover? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Materials-Metallurgy? Subjects-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Science-Physics-Dynamics-FluidDynamics? Subjects-Science-Physics-FluidMechanics? Space 2000 (International Astronautical Federation Congress//(Selected Proceedings)) Amer Inst of Aeronautics &? International Astronautical Federation.? AmerInstofAeronautics&? InternationalAstronauticalFederation.? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Entry Vehicle Heating and Thermal Protection Systems Space Shuttle, Solar Starprobe, Jupiter, Galileo Probe (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? AIAA? Fluids, Plasma, and Heat Transfer Conference (3rd 1982 Saint Louis, Mo.) ASME Joint Thermophysics? Paul E. Bauer? Howard E. Collicott? American Institute of Aeronautics and Astronautics? AmerInstofAeronautics&? AIAA? Fluids,Plasma,andHeatTransferConference(3rd 1982 SaintLouis,Mo.)ASMEJointThermophysics? PaulE.Bauer? HowardE.Collicott? AmericanInstituteofAeronauticsandAstronautics? ジャンル別? Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-Dynamics-Thermodynamics? Spacecraft Thermal Control, Design, and Operation (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Paul E. Bauer? AmerInstofAeronautics&? PaulE.Bauer? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Shock Waves, Explosions, and Detonations Tech Papers from the 8th Intl Colloquium, Held Minsk, Ussr, Aug 1981 (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? France) International Colloquium on Gasdynamics of Explosions and Reactive Systems (9th 1983 Poitiers? J. R. Bowen? AmerInstofAeronautics&? France)InternationalColloquiumonGasdynamicsofExplosionsandReactiveSystems(9th 1983 Poitiers? J.R.Bowen? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-Chemical-Thermodynamics? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Chemical-Thermodynamics? Subjects-Professional&Technical-Engineering-General Flames, Lasers, and Reactive Systems Tech Papers from the 8th Intl Colloquium, Held Minsk, Ussr, Aug 1981 (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? France) International Colloquium on Gasdynamics of Explosions and Reactive Systems (9th 1983 Poitiers? J. R. Bowen? AmerInstofAeronautics&? France)InternationalColloquiumonGasdynamicsofExplosionsandReactiveSystems(9th 1983 Poitiers? J.R.Bowen? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-Energy-Combustion&Steam? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Energy-Combustion&Steam? Subjects-Professional&Technical-Engineering-General Re-Entry Vehicle Dynamics Amer Inst of Aeronautics &? Frank J. Regan? AmerInstofAeronautics&? FrankJ.Regan? ジャンル別? Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Professional&Technical-Engineering-General Orbit-Raising and Maneuvering Propulsion Research Status and Needs Amer Inst of Aeronautics &? Leonard H. Caveny? AmerInstofAeronautics&? LeonardH.Caveny? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General International Cooperation and Space Missions Selection of Papers Presented at the 34th Congress of the International Astronautical Federation Oct 1 (International Astronautical Federation Congress//(Selected Proceedings)) Amer Inst of Aeronautics &? Hungary) International Astronautical Congress 1983 (Budapest? L. G. Napolitano? International Astronautical Federation.? AmerInstofAeronautics&? Hungary)InternationalAstronauticalCongress1983(Budapest? L.G.Napolitano? InternationalAstronauticalFederation.? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Fundamentals of Solid-Propellent Combustion (Progress in Astronautics and Aeronautics, Vol 90) Amer Inst of Aeronautics &? Kenneth K. Kuo? Martin Summerfield? AmerInstofAeronautics&? KennethK.Kuo? MartinSummerfield? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Combustion Diagnostics by Nonintrusive Methods (Progress in Astronautics and Aeronautics, Vol. 92) Amer Inst of Aeronautics &? T. D. McCay? J. A. Roux? AmerInstofAeronautics&? T.D.McCay? J.A.Roux? ジャンル別? Substores-UnknownASINs-31? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Engineering-Energy-Combustion&Steam? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Energy-Combustion&Steam? Subjects-Professional&Technical-Engineering-General Subjects-Science-Astronomy-Aeronautics&Astronautics? The Intelsat Global Satellite System (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Joel Alper? Joseph N. Pelton? AmerInstofAeronautics&? JoelAlper? JosephN.Pelton? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-Astronomy-Aeronautics&Astronautics? Dynamics of Shock Waves, Explosions, and Detonations (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? France) International Colloquium on Gasdynamics of Explosions and Reactive Systems (9th 1983 Poitiers? N. Manson? A. K. Oppenheim? J. R. Bowen? R. I. Soloukhin? AmerInstofAeronautics&? France)InternationalColloquiumonGasdynamicsofExplosionsandReactiveSystems(9th 1983 Poitiers? N.Manson? A.K.Oppenheim? J.R.Bowen? R.I.Soloukhin? ジャンル別? Subjects-Engineering-Aerospace-PropulsionTechnology? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Aerospace-PropulsionTechnology? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-Dynamics-Thermodynamics? Dynamics of Flames and Reactive Systems (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? France) International Colloquium on Gasdynamics of Explosions and Reactive Systems (9th 1983 Poitiers? N. Manson? A. K. Oppenheim? J. R. Bowen? R. I. Soloukhin? AmerInstofAeronautics&? France)InternationalColloquiumonGasdynamicsofExplosionsandReactiveSystems(9th 1983 Poitiers? N.Manson? A.K.Oppenheim? J.R.Bowen? R.I.Soloukhin? ジャンル別? Subjects-Engineering-Aerospace-PropulsionTechnology? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Aerospace-PropulsionTechnology? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-Dynamics-Thermodynamics? Thermal Design of Aeroassisted Orbital-Transfer Vehicles (Progress in Astronautics and Aeronautics) Amer Inst of Aeronautics &? Holly Faith Nelson? AmerInstofAeronautics&? HollyFaithNelson? ジャンル別? Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Professional&Technical-Engineering-General Subjects-Science-Physics-Dynamics-Thermodynamics? Subjects-Science-Astronomy-Aeronautics&Astronautics? Aerothermodynamics of Aircraft Engine Components (Pandora Books) Amer Inst of Aeronautics &? Gordon C. Oates? AmerInstofAeronautics&? GordonC.Oates? ジャンル別? Subjects-Engineering-Aerospace-Aerodynamics? Subjects-Engineering-Aerospace-Applied? Subjects-Engineering-Chemical-Thermodynamics? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-Thermodynamics? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Mechanical-Turbines? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Professional&Technical-Engineering-Chemical-Thermodynamics? Subjects-Professional&Technical-Engineering-MaterialsScience-Thermodynamics? Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics? Subjects-Professional&Technical-Engineering-Aerospace-Applied? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-Turbines? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Dynamics-Thermodynamics? Subjects-Science-Astronomy-Aeronautics&Astronautics? An American in Exile The Story of Arthur Rudolph Christopher Kaylor Co? Thomas Franklin? ChristopherKaylorCo? ThomasFranklin? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Fractography of Glasses and Ceramics Proceedings of the Conference on the Fractography of Glasses and Ceramics Held at Alfred University, Alfred, Ny, August 3-6, 1986 (Advances in Ceramics, Vol 22) Amer Ceramic Society? Conference on the Fractography of Glasses and Ceramics (1st 1986 Alfred University)? Van Derck Frechette? James R. Varner? AmerCeramicSociety? ConferenceontheFractographyofGlassesandCeramics(1st 1986 AlfredUniversity)? VanDerckFrechette? JamesR.Varner? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-Ceramics? Subjects-Engineering-Chemical-Coatings,Ceramics&Glass? Subjects-Professional&Technical-Engineering-MaterialsScience-Ceramics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Chemical-Coatings,Ceramics&Glass? Subjects-Science-General Benjamin Holt and Caterpillar Tracks and Combines Amer Society of Agricultural? Reynold M. Wik? AmerSocietyofAgricultural? ReynoldM.Wik? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General On-Site Wastewater Treatment Amer Society of Agricultural? National Symp on Individual and Small Community Sewage Trtmnt? AmerSocietyofAgricultural? NationalSymponIndividualandSmallCommunitySewageTrtmnt? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-Engineering-General Design in Agricultural Engineering Amer Society of Agricultural? L. L. Christianson? Roger P. Rohrbach? AmerSocietyofAgricultural? L.L.Christianson? RogerP.Rohrbach? ジャンル別? Subjects-Engineering-SpecialTopics-AgriculturalEngineering? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-SpecialTopics-AgriculturalEngineering? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? John Deere Tractors, 1918-1994 Diamond Farm Book Pubns? DiamondFarmBookPubns? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General On Site Wastewater Treatment Proceedings of the Fifth National Symposium on Individual and Small Community Sewage Systems (Asae Publication, 87-10.) Amer Society of Agricultural? National Symposium on Individual and Small Community Sewage Treatment? AmerSocietyofAgricultural? NationalSymposiumonIndividualandSmallCommunitySewageTreatment? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-Professional&Technical-Engineering-General John Deere Tractors and Equipment 1837-1959 (John Deere Tractors Equipment, 1837-1959) Amer Society of Agricultural? Don MacMillan? Russell Jones? AmerSocietyofAgricultural? DonMacMillan? RussellJones? ジャンル別? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Arthur Morgan A Biography and Memoir Whimsie Pr? Walter Kahoe? WhimsiePr? WalterKahoe? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Engineering-Civil-Environmental-Hydraulics? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydraulics? Subjects-Professional&Technical-Engineering-General Career Employment Opportunities Directory Engineering and Computer Sciences undefined ジャンル別? Substores-UnknownASINs-63? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General The Blimp Book Aquarium Stock Co? George Hall? George Larson? Baron Wolman? AquariumStockCo? GeorgeHall? GeorgeLarson? BaronWolman? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Professional&Technical-Engineering-General Fire in Focus An Action Portfolio Squarebooks? Thomas K. Wanstall? Squarebooks? ThomasK.Wanstall? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-General Ergonomics Sourcebook A Guide to Human Factors Information/1987 Ergosyst Assoc/the Report Stor? Kimberlie H. Pelsma? ErgosystAssoc/theReportStor? KimberlieH.Pelsma? ジャンル別? Subjects-Computers&Internet-Business&Culture-ProjectManagement-Ergonomics? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Ergonomics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Ergonomics? Subjects-Professional&Technical-Engineering-General 400 Day Clock Repair Guide Fanelli Antique Timepieces Ltd? Joseph Fanelli? FanelliAntiqueTimepiecesLtd? JosephFanelli? ジャンル別? Subjects-Arts&Photography-Art-General? Subjects-Engineering-General? Subjects-Home&Garden-Antiques&Collectibles-Clocks&Watches? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Professional&Technical-Engineering-General Steam Diesel Power Plant Operator's Examinations James Russell? James Russell? JamesRussell? JamesRussell? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-TestGuides-Graduate&Professional-Professional? Subjects-Reference-TestPrepCentral-General? Subjects-Reference-StudyGuides? Instrument Flight Training Manual As Developed by Professional Instrument Courses, Inc. Aviation Book Co? Peter Dogan? AviationBookCo? PeterDogan? ジャンル別? Subjects-Engineering-General? Subjects-Home&Garden-AnimalCare&Pets-Dogs-Training? Subjects-Nonfiction-Transportation-Aviation-Piloting&FlightInstruction? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Education-General? Subjects-Reference-TestPrepCentral-General? Dynamics of Physical Circuits and Systems Matrix Pub? J. Lindsay? Katz? MatrixPub? J.Lindsay? Katz? ジャンル別? Substores-UnknownASINs-63? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Fundamentals of Stress Analysis (Matrix Series in Mechanical and Aeronautical Engineering) Matrix Pub? Joe W. McKinley? MatrixPub? JoeW.McKinley? ジャンル別? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Aircraft Performance Matrix Pub? Donald Layton? MatrixPub? DonaldLayton? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Space The High Frontier in Perspective Worldwatch Inst? Daniel Deudney? WorldwatchInst? DanielDeudney? ジャンル別? Substores-UnknownASINs-31? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-General 洋書